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• Anne of Green Gables　のぺーじ - CHAPTER XXIX

  https://w.atwiki.jp/pyopyo0124/pages/43.html

  CHAPTER XXVIII UP CHAPTER XXX CHAPTER XXIX An Epoch in Anne s Life Anne was bringing the cows home from the back pasture by way of Lover s Lane. It was a September evening and all the gaps and clearings in the woods were brimmed up with ruby sunset light. Here and there the lane was splashed with it, but for the most part it was already quite shadowy beneath the maples, and the spaces under the firs were filled with a clear violet dusk like airy wine. The winds were out in their tops, and there is no sweeter music on earth than that which the wind makes in the fir trees at evening. The cows swung placidly down the lane, and Anne followed them dreamily, repeating aloud the battle canto from MARMION--which had also been part of their English course the preceding winter and which Miss Stacy had made them learn off by heart--and exulting in its rushing lines and the clash of spears in its imagery. When she came to the lines The stubborn spearsmen still made good Their dark impenetrable wood, she stopped in ecstasy to shut her eyes that she might the better fancy herself one of that heroic ring. When she opened them again it was to behold Diana coming through the gate that led into the Barry field and looking so important that Anne instantly divined there was news to be told. But betray too eager curiosity she would not. "Isn t this evening just like a purple dream, Diana? It makes me so glad to be alive. In the mornings I always think the mornings are best; but when evening comes I think it s lovelier still." "It s a very fine evening," said Diana, "but oh, I have such news, Anne. Guess. You can have three guesses." "Charlotte Gillis is going to be married in the church after all and Mrs. Allan wants us to decorate it," cried Anne. "No. Charlotte s beau won t agree to that, because nobody ever has been married in the church yet, and he thinks it would seem too much like a funeral. It s too mean, because it would be such fun. Guess again." "Jane s mother is going to let her have a birthday party?" Diana shook her head, her black eyes dancing with merriment. "I can t think what it can be," said Anne in despair, "unless it s that Moody Spurgeon MacPherson saw you home from prayer meeting last night. Did he?" "I should think not," exclaimed Diana indignantly. "I wouldn t be likely to boast of it if he did, the horrid creature! I knew you couldn t guess it. Mother had a letter from Aunt Josephine today, and Aunt Josephine wants you and me to go to town next Tuesday and stop with her for the Exhibition. There!" "Oh, Diana," whispered Anne, finding it necessary to lean up against a maple tree for support, "do you really mean it? But I m afraid Marilla won t let me go. She will say that she can t encourage gadding about. That was what she said last week when Jane invited me to go with them in their double-seated buggy to the American concert at the White Sands Hotel. I wanted to go, but Marilla said I d be better at home learning my lessons and so would Jane. I was bitterly disappointed, Diana. I felt so heartbroken that I wouldn t say my prayers when I went to bed. But I repented of that and got up in the middle of the night and said them." "I ll tell you," said Diana, "we ll get Mother to ask Marilla. She ll be more likely to let you go then; and if she does we ll have the time of our lives, Anne. I ve never been to an Exhibition, and it s so aggravating to hear the other girls talking about their trips. Jane and Ruby have been twice, and they re going this year again." "I m not going to think about it at all until I know whether I can go or not," said Anne resolutely. "If I did and then was disappointed, it would be more than I could bear. But in case I do go I m very glad my new coat will be ready by that time. Marilla didn t think I needed a new coat. She said my old one would do very well for another winter and that I ought to be satisfied with having a new dress. The dress is very pretty, Diana--navy blue and made so fashionably. Marilla always makes my dresses fashionably now, because she says she doesn t intend to have Matthew going to Mrs. Lynde to make them. I m so glad. It is ever so much easier to be good if your clothes are fashionable. At least, it is easier for me. I suppose it doesn t make such a difference to naturally good people. But Matthew said I must have a new coat, so Marilla bought a lovely piece of blue broadcloth, and it s being made by a real dressmaker over at Carmody. It s to be done Saturday night, and I m trying not to imagine myself walking up the church aisle on Sunday in my new suit and cap, because I m afraid it isn t right to imagine such things. But it just slips into my mind in spite of me. My cap is so pretty. Matthew bought it for me the day we were over at Carmody. It is one of those little blue velvet ones that are all the rage, with gold cord and tassels. Your new hat is elegant, Diana, and so becoming. When I saw you come into church last Sunday my heart swelled with pride to think you were my dearest friend. Do you suppose it s wrong for us to think so much about our clothes? Marilla says it is very sinful. But it is such an interesting subject, isn t it?" Marilla agreed to let Anne go to town, and it was arranged that Mr. Barry should take the girls in on the following Tuesday. As Charlottetown was thirty miles away and Mr. Barry wished to go and return the same day, it was necessary to make a very early start. But Anne counted it all joy, and was up before sunrise on Tuesday morning. A glance from her window assured her that the day would be fine, for the eastern sky behind the firs of the Haunted Wood was all silvery and cloudless. Through the gap in the trees a light was shining in the western gable of Orchard Slope, a token that Diana was also up. Anne was dressed by the time Matthew had the fire on and had the breakfast ready when Marilla came down, but for her own part was much too excited to eat. After breakfast the jaunty new cap and jacket were donned, and Anne hastened over the brook and up through the firs to Orchard Slope. Mr. Barry and Diana were waiting for her, and they were soon on the road. It was a long drive, but Anne and Diana enjoyed every minute of it. It was delightful to rattle along over the moist roads in the early red sunlight that was creeping across the shorn harvest fields. The air was fresh and crisp, and little smoke-blue mists curled through the valleys and floated off from the hills. Sometimes the road went through woods where maples were beginning to hang out scarlet banners; sometimes it crossed rivers on bridges that made Anne s flesh cringe with the old, half-delightful fear; sometimes it wound along a harbor shore and passed by a little cluster of weather-gray fishing huts; again it mounted to hills whence a far sweep of curving upland or misty-blue sky could be seen; but wherever it went there was much of interest to discuss. It was almost noon when they reached town and found their way to "Beechwood." It was quite a fine old mansion, set back from the street in a seclusion of green elms and branching beeches. Miss Barry met them at the door with a twinkle in her sharp black eyes. "So you ve come to see me at last, you Anne-girl," she said. "Mercy, child, how you have grown! You re taller than I am, I declare. And you re ever so much better looking than you used to be, too. But I dare say you know that without being told." "Indeed I didn t," said Anne radiantly. "I know I m not so freckled as I used to be, so I ve much to be thankful for, but I really hadn t dared to hope there was any other improvement. I m so glad you think there is, Miss Barry." Miss Barry s house was furnished with "great magnificence," as Anne told Marilla afterward. The two little country girls were rather abashed by the splendor of the parlor where Miss Barry left them when she went to see about dinner. "Isn t it just like a palace?" whispered Diana. "I never was in Aunt Josephine s house before, and I d no idea it was so grand. I just wish Julia Bell could see this--she puts on such airs about her mother s parlor." "Velvet carpet," sighed Anne luxuriously, "and silk curtains! I ve dreamed of such things, Diana. But do you know I don t believe I feel very comfortable with them after all. There are so many things in this room and all so splendid that there is no scope for imagination. That is one consolation when you are poor--there are so many more things you can imagine about." Their sojourn in town was something that Anne and Diana dated from for years. From first to last it was crowded with delights. On Wednesday Miss Barry took them to the Exhibition grounds and kept them there all day. "It was splendid," Anne related to Marilla later on. "I never imagined anything so interesting. I don t really know which department was the most interesting. I think I liked the horses and the flowers and the fancywork best. Josie Pye took first prize for knitted lace. I was real glad she did. And I was glad that I felt glad, for it shows I m improving, don t you think, Marilla, when I can rejoice in Josie s success? Mr. Harmon Andrews took second prize for Gravenstein apples and Mr. Bell took first prize for a pig. Diana said she thought it was ridiculous for a Sunday-school superintendent to take a prize in pigs, but I don t see why. Do you? She said she would always think of it after this when he was praying so solemnly. Clara Louise MacPherson took a prize for painting, and Mrs. Lynde got first prize for homemade butter and cheese. So Avonlea was pretty well represented, wasn t it? Mrs. Lynde was there that day, and I never knew how much I really liked her until I saw her familiar face among all those strangers. There were thousands of people there, Marilla. It made me feel dreadfully insignificant. And Miss Barry took us up to the grandstand to see the horse races. Mrs. Lynde wouldn t go; she said horse racing was an abomination and, she being a church member, thought it her bounden duty to set a good example by staying away. But there were so many there I don t believe Mrs. Lynde s absence would ever be noticed. I don t think, though, that I ought to go very often to horse races, because they ARE awfully fascinating. Diana got so excited that she offered to bet me ten cents that the red horse would win. I didn t believe he would, but I refused to bet, because I wanted to tell Mrs. Allan all about everything, and I felt sure it wouldn t do to tell her that. It s always wrong to do anything you can t tell the minister s wife. It s as good as an extra conscience to have a minister s wife for your friend. And I was very glad I didn t bet, because the red horse DID win, and I would have lost ten cents. So you see that virtue was its own reward. We saw a man go up in a balloon. I d love to go up in a balloon, Marilla; it would be simply thrilling; and we saw a man selling fortunes. You paid him ten cents and a little bird picked out your fortune for you. Miss Barry gave Diana and me ten cents each to have our fortunes told. Mine was that I would marry a dark-complected man who was very wealthy, and I would go across water to live. I looked carefully at all the dark men I saw after that, but I didn t care much for any of them, and anyhow I suppose it s too early to be looking out for him yet. Oh, it was a never-to-be-forgotten day, Marilla. I was so tired I couldn t sleep at night. Miss Barry put us in the spare room, according to promise. It was an elegant room, Marilla, but somehow sleeping in a spare room isn t what I used to think it was. That s the worst of growing up, and I m beginning to realize it. The things you wanted so much when you were a child don t seem half so wonderful to you when you get them." Thursday the girls had a drive in the park, and in the evening Miss Barry took them to a concert in the Academy of Music, where a noted prima donna was to sing. To Anne the evening was a glittering vision of delight. "Oh, Marilla, it was beyond description. I was so excited I couldn t even talk, so you may know what it was like. I just sat in enraptured silence. Madame Selitsky was perfectly beautiful, and wore white satin and diamonds. But when she began to sing I never thought about anything else. Oh, I can t tell you how I felt. But it seemed to me that it could never be hard to be good any more. I felt like I do when I look up to the stars. Tears came into my eyes, but, oh, they were such happy tears. I was so sorry when it was all over, and I told Miss Barry I didn t see how I was ever to return to common life again. She said she thought if we went over to the restaurant across the street and had an ice cream it might help me. That sounded so prosaic; but to my surprise I found it true. The ice cream was delicious, Marilla, and it was so lovely and dissipated to be sitting there eating it at eleven o clock at night. Diana said she believed she was born for city life. Miss Barry asked me what my opinion was, but I said I would have to think it over very seriously before I could tell her what I really thought. So I thought it over after I went to bed. That is the best time to think things out. And I came to the conclusion, Marilla, that I wasn t born for city life and that I was glad of it. It s nice to be eating ice cream at brilliant restaurants at eleven o clock at night once in a while; but as a regular thing I d rather be in the east gable at eleven, sound asleep, but kind of knowing even in my sleep that the stars were shining outside and that the wind was blowing in the firs across the brook. I told Miss Barry so at breakfast the next morning and she laughed. Miss Barry generally laughed at anything I said, even when I said the most solemn things. I don t think I liked it, Marilla, because I wasn t trying to be funny. But she is a most hospitable lady and treated us royally." Friday brought going-home time, and Mr. Barry drove in for the girls. "Well, I hope you ve enjoyed yourselves," said Miss Barry, as she bade them good-bye. "Indeed we have," said Diana. "And you, Anne-girl?" "I ve enjoyed every minute of the time," said Anne, throwing her arms impulsively about the old woman s neck and kissing her wrinkled cheek. Diana would never have dared to do such a thing and felt rather aghast at Anne s freedom. But Miss Barry was pleased, and she stood on her veranda and watched the buggy out of sight. Then she went back into her big house with a sigh. It seemed very lonely, lacking those fresh young lives. Miss Barry was a rather selfish old lady, if the truth must be told, and had never cared much for anybody but herself. She valued people only as they were of service to her or amused her. Anne had amused her, and consequently stood high in the old lady s good graces. But Miss Barry found herself thinking less about Anne s quaint speeches than of her fresh enthusiasms, her transparent emotions, her little winning ways, and the sweetness of her eyes and lips. "I thought Marilla Cuthbert was an old fool when I heard she d adopted a girl out of an orphan asylum," she said to herself, "but I guess she didn t make much of a mistake after all. If I d a child like Anne in the house all the time I d be a better and happier woman." Anne and Diana found the drive home as pleasant as the drive in--pleasanter, indeed, since there was the delightful consciousness of home waiting at the end of it. It was sunset when they passed through White Sands and turned into the shore road. Beyond, the Avonlea hills came out darkly against the saffron sky. Behind them the moon was rising out of the sea that grew all radiant and transfigured in her light. Every little cove along the curving road was a marvel of dancing ripples. The waves broke with a soft swish on the rocks below them, and the tang of the sea was in the strong, fresh air. "Oh, but it s good to be alive and to be going home," breathed Anne. When she crossed the log bridge over the brook the kitchen light of Green Gables winked her a friendly welcome back, and through the open door shone the hearth fire, sending out its warm red glow athwart the chilly autumn night. Anne ran blithely up the hill and into the kitchen, where a hot supper was waiting on the table. "So you ve got back?" said Marilla, folding up her knitting. "Yes, and oh, it s so good to be back," said Anne joyously. "I could kiss everything, even to the clock. Marilla, a broiled chicken! You don t mean to say you cooked that for me!" "Yes, I did," said Marilla. "I thought you d be hungry after such a drive and need something real appetizing. Hurry and take off your things, and we ll have supper as soon as Matthew comes in. I m glad you ve got back, I must say. It s been fearful lonesome here without you, and I never put in four longer days." After supper Anne sat before the fire between Matthew and Marilla, and gave them a full account of her visit. "I ve had a splendid time," she concluded happily, "and I feel that it marks an epoch in my life. But the best of it all was the coming home." CHAPTER XXVIII UP CHAPTER XXX 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 19 01 (Tue)

• Anne of Green Gables　のぺーじ - CHAPTER VII

  https://w.atwiki.jp/pyopyo0124/pages/22.html

  CHAPTER VI UP CHAPTER VIII CHAPTER VII Anne Says Her Prayers When Marilla took Anne up to bed that night she said stiffly "Now, Anne, I noticed last night that you threw your clothes all about the floor when you took them off. That is a very untidy habit, and I can t allow it at all. As soon as you take off any article of clothing fold it neatly and place it on the chair. I haven t any use at all for little girls who aren t neat." "I was so harrowed up in my mind last night that I didn t think about my clothes at all," said Anne. "I ll fold them nicely tonight. They always made us do that at the asylum. Half the time, though, I d forget, I d be in such a hurry to get into bed nice and quiet and imagine things." "You ll have to remember a little better if you stay here," admonished Marilla. "There, that looks something like. Say your prayers now and get into bed." "I never say any prayers," announced Anne. Marilla looked horrified astonishment. "Why, Anne, what do you mean? Were you never taught to say your prayers? God always wants little girls to say their prayers. Don t you know who God is, Anne?" "`God is a spirit, infinite, eternal and unchangeable, in His being, wisdom, power, holiness, justice, goodness, and truth, " responded Anne promptly and glibly. Marilla looked rather relieved. "So you do know something then, thank goodness! You re not quite a heathen. Where did you learn that?" "Oh, at the asylum Sunday-school. They made us learn the whole catechism. I liked it pretty well. There s something splendid about some of the words. `Infinite, eternal and unchangeable. Isn t that grand? It has such a roll to it--just like a big organ playing. You couldn t quite call it poetry, I suppose, but it sounds a lot like it, doesn t it?" "We re not talking about poetry, Anne--we are talking about saying your prayers. Don t you know it s a terrible wicked thing not to say your prayers every night? I m afraid you are a very bad little girl." "You d find it easier to be bad than good if you had red hair," said Anne reproachfully. "People who haven t red hair don t know what trouble is. Mrs. Thomas told me that God made my hair red ON PURPOSE, and I ve never cared about Him since. And anyhow I d always be too tired at night to bother saying prayers. People who have to look after twins can t be expected to say their prayers. Now, do you honestly think they can?" Marilla decided that Anne s religious training must be begun at once. Plainly there was no time to be lost. "You must say your prayers while you are under my roof, Anne." "Why, of course, if you want me to," assented Anne cheerfully. "I d do anything to oblige you. But you ll have to tell me what to say for this once. After I get into bed I ll imagine out a real nice prayer to say always. I believe that it will be quite interesting, now that I come to think of it." "You must kneel down," said Marilla in embarrassment. Anne knelt at Marilla s knee and looked up gravely. "Why must people kneel down to pray? If I really wanted to pray I ll tell you what I d do. I d go out into a great big field all alone or into the deep, deep, woods, and I d look up into the sky--up--up--up--into that lovely blue sky that looks as if there was no end to its blueness. And then I d just FEEL a prayer. Well, I m ready. What am I to say?" Marilla felt more embarrassed than ever. She had intended to teach Anne the childish classic, "Now I lay me down to sleep." But she had, as I have told you, the glimmerings of a sense of humor--which is simply another name for a sense of fitness of things; and it suddenly occurred to her that that simple little prayer, sacred to white-robed childhood lisping at motherly knees, was entirely unsuited to this freckled witch of a girl who knew and cared nothing bout God s love, since she had never had it translated to her through the medium of human love. "You re old enough to pray for yourself, Anne," she said finally. "Just thank God for your blessings and ask Him humbly for the things you want." "Well, I ll do my best," promised Anne, burying her face in Marilla s lap. "Gracious heavenly Father--that s the way the ministers say it in church, so I suppose it s all right in private prayer, isn t it?" she interjected, lifting her head for a moment. "Gracious heavenly Father, I thank Thee for the White Way of Delight and the Lake of Shining Waters and Bonny and the Snow Queen. I m really extremely grateful for them. And that s all the blessings I can think of just now to thank Thee for. As for the things I want, they re so numerous that it would take a great deal of time to name them all so I will only mention the two most important. Please let me stay at Green Gables; and please let me be good-looking when I grow up. I remain, "Yours respectfully, Anne Shirley. "There, did I do all right?" she asked eagerly, getting up. "I could have made it much more flowery if I d had a little more time to think it over." Poor Marilla was only preserved from complete collapse by remembering that it was not irreverence, but simply spiritual ignorance on the part of Anne that was responsible for this extraordinary petition. She tucked the child up in bed, mentally vowing that she should be taught a prayer the very next day, and was leaving the room with the light when Anne called her back. "I ve just thought of it now. I should have said, `Amen in place of `yours respectfully, shouldn t I?--the way the ministers do. I d forgotten it, but I felt a prayer should be finished off in some way, so I put in the other. Do you suppose it will make any difference?" "I--I don t suppose it will," said Marilla. "Go to sleep now like a good child. Good night." "I can only say good night tonight with a clear conscience," said Anne, cuddling luxuriously down among her pillows. Marilla retreated to the kitchen, set the candle firmly on the table, and glared at Matthew. "Matthew Cuthbert, it s about time somebody adopted that child and taught her something. She s next door to a perfect heathen. Will you believe that she never said a prayer in her life till tonight? I ll send her to the manse tomorrow and borrow the Peep of the Day series, that s what I ll do. And she shall go to Sunday-school just as soon as I can get some suitable clothes made for her. I foresee that I shall have my hands full. Well, well, we can t get through this world without our share of trouble. I ve had a pretty easy life of it so far, but my time has come at last and I suppose I ll just have to make the best of it." CHAPTER VI UP CHAPTER VIII 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 30 24 (Tue)

• Planetside Software Terragen 日本語 wiki - 水面(Water)

  https://w.atwiki.jp/terragen3/pages/70.html

  現在、水面を作成する方法は2つあります サイズが調整可能なビルドインの"Lake object(円盤状の平らな水)"を作成する。 地形に『Water Shader』を適用し、配置をコントロールするための『blend shader』やマスキングからなる他の形態を使用する事が出来ます。 "Lake object"によって、異なる高さと異なる色や波の特性を持つ複数のユニークな水のエレメントを作成する能力を持っています。また、河川、複雑な湖の形状、およびその他の重要なエレメント作成を可能にし、その分布を微調整するための水の形状をマスクする事が出来ます。実際にこれからどのように"Lake object"を使用するか、目を通しておきましょう。 First go to the Water layout so we can place the Lake object. It s the only option currently available on the Add Water Object menu and you will immediately see your 3D preview window covered with water when you add it. After you have done so, click on it in the node list to bring up its settings. Most of the controls here are fairly self-explanatory. At the top the normal naming and enable/disable control. Handle In Preview determines whether the lake object itself will be shown in the viewport. Cast Shadows will be seldom used for now but its effect is fairly obvious - it makes the water disc cast shadows onto the terrain. Moving on let s look at the settings on tne Transform tab. the Water Level is literally just the height of the object above the base planet surface (this will be important when transparency is introduced in later versions). The Centre settings control the X, Y, Z placement of the object and can be used when precise placement of your water is needed, but it s generally easier just to drag it around in the viewport. And finally Max Radius allows you to control the size of the lake object, measured in meters as usual. The Planet and Surface Shader tabs are extremely simple. Planet allows you to specify the planet this water object is associated with. Because it s a flat disc it needs to be adjusted to fit the curvature of the planet, especially at large radius values, so it s necessary to connect it to a Planet to accomplish these changes. The Surface Shaders tab simply defines the shader for the lake object; naturally it defaults to a Water Shader. Now that we ve looked over the basic settings let s do a quick render to see how the water looks. Keep in mind that the default camera perspective is 1 kilometer above the terrain, so let s move down a bit to see the water better. Take the camera down until it seems fairly close to the water- about 200 meters - and do a render from this new camera position. At this height you should be able to see the wave structure as well as the wave variation which helps to increase realism. You ll no doubt find that water takes a bit longer to render than most other scene elements. Reflections are always quite demanding to render and Terragen 2 is no exception, but this aspect will be getting a lot of optimization in the future to improve things as much as possible. You can control all aspects of the water surface itself in the Water Shader settings. Let s take a look there now and see what kind of things can be done with the current functionality. From the Surface Shaders tab click the box to the right of the Surface Shader name (Water shader 01) and select Go to [shader name] and the water shader settings window will then be opened. Aside from the standard node controls there are only two tabs here that allow you to control all aspects of your water. In the future additional functions such as transparency and shore surf/foam will probably have their own tabs here. For now the Wave tab is visible and contains some of the most important controls to adjust the look of our water. By now you should be familiar with naming conventions of Terragen 2 so hopefully most of these will be self-explanatory. The Roughness setting controls the general roughness of the water surface and in combination with the Wave Scale and Smallest scale it determines the majority of the water shape. Wave Scale is the average wave size and Smallest Scale determines the size of the smallest details - increase this if the water shape looks too simplistic, but reduce it if you re only viewing the water from a distance as the smaller it is the more octaves in the Water Shader noise function and the longer render times will be. The next set of controls should be familiar to users of Terragen 0.9 - the Wind Patch settings. In nature there are variations in wave structure and overall water smoothness across large bodies of water which is due to several factors including wind. These settings allow you to simulate those effects and bring an extra level of realism and needed variety and interest to large water elements. The defaults give a subtle variation to the water surface, modulating the roughness across the surface with a large-scale noise function. The Wind Patch Effect setting controls the strength of this effect - the actual amount of variation there will be between different areas. Wind Patch Size controls the average scale of the areas of variation. And finally Wind Patch Sharpness sets how sharp the line between areas of variation will be, or to put it another way it controls how smooth the transition between areas of different roughness is. Now on to the Reflections tab. Master Reflectivity is fairly self-explanatory - it controls the overall level of reflectivity for the water. Index of Refraction is a technical term that refers to the amount of light refraction caused by a given material. This is implemented as the standard Index of Refraction where water is 1.33. The higher this is the more diffuse your reflections will be. Horizon Shift is a special function used to simulate the "shift" in reflection due to the aggregate effect of greater or lesser surface roughness on distant reflective surfaces. It will essentially shift the angle of distant reflection toward or away from the horizon. The easiest way to understand this is just to play with the slider and watch the effect on the preview. Highlight Intensity controls the strength of specular highlights from light sources and Min[imum] Highlight Spread allows you to control how much "spread" the reflections have - in other words how diffuse the specular highlights are. Note that you can plug a shader into the Input of the Water Shader to override or contribute to many of these built-in settings. For example you can get more control over wave shape by plugging a Power Fractal into it and using the Displacement controls. A Heightfield Shader or Image Map can be used in the same way and can be particularly useful for explicitly controlling water shape. Another important capability enabled by the Water Shader Input is controlling the color of the water. Try plugging a Default Shader into the input and adjusting color - you now have the ability to specify any color you want for the water. This also gives us a springboard to our next experiment masking the water to control its distribution.

• オペラ対訳プロジェクト - Strauss,Richard/Die Frau ohne Schatten/III

  https://w.atwiki.jp/oper/pages/473.html

  第３幕 （地中のドーム。舞台を斜めに横切る厚い壁で、二つの部屋に仕切られている。右の部屋にはバラクが、暗い物思いにふけりつつ固い石の上に座っているのが見える。左手には髪を乱したバラクの妻が、涙にかきくれている。 二人は互いのことに気付いていないし、互いの声も聞こえない。バラクの妻は、びくっと身震いする） （オーケストラは、第１幕における「生まれていない子供たちの声」の音楽を演奏する） バラクの妻 そんな声を、立てないで！ あたしは、しなかったのよ！ バラク、あなた、 ああ、あたしの声を聞いて！ 死ぬ前に一度でいいから、 あたしを信じてほしいの！ あたしは、あなたを捨てようとした。 ああ、ほんとうは今まで一度も あなたを見たことがなかったの！ あなたを忘れようとしたわ。 あなたの目の前から去ろうとした・・・ でも、あなたの目は やっぱり戻って来たわ・・・ ああ、あたしの声を聞いて！ ああ、あたしを信じて・・・ 不幸せな私が 永遠に失ってしまった あなたの目・・・戻って来て。 あなたを忘れようとしたの。 なのに、思い出さずにはいられなかった・・・ 行ってはならない道を どんなに進もうとも、 どんなにそこから 逃れようとしても、 あなたの目は、また戻ってきて、 あたしを見つけようとするの。 心が、事をなす前に！ 見知らぬ男を あたしは部屋に入れ、 その男は、あたしのすぐそばにいた・・・ でも、すべてが終わったわけではない・・・ バラク、バラク、 あなたを目覚ますことはできないの？ 知らないの？このことを・・・ バラク （独り言で） 今、俺の手に委ねられたこと･･･ それは、あの人を抱きしめることだ・・・ あの人を 両手にとらえ、 あの人のことを思い、 その若い心を やわらげることだ！ バラクの妻 （一部バラクと声を合わせて） あなたへの愛に尽くすことができれば・・・ あなたに会いたい！ 呼吸したいの、生きたいの！ 良い子供たちをあなたに授けたいの・・・！ バラク 今、俺の手に委ねられたこと･･･ （地面によろめき倒れる） 俺の手にかかると思って死ぬほど怖がっていた！ 俺はいったい何てことを！ ああ、もう一度だけ会って、こう言えれば・・・ 怖がらないでくれって。 （静寂） 声 （天上から、バラクへと） さあ、天に来なさい！道は開かれています！ （声と同時に、一条の光線が天井からバラクの地下牢に落ちて来る。すると、らせん階段の踏み段が岩山に穿たれているのが見えて来る） （バラクは立ち上がり、その階段を登りはじめる） バラクの妻 バラク、あなた！ 厳しい裁き手、 尊敬する夫よ！ 剣をあたしに 振り下ろすとしても、 その閃光の中で 死にながら、もう一度だけ あなたに会いたい！ （天から一条の光がバラクの妻の地下牢に落ちる。バラクの空っぽの部屋の光は消えてしまっている） 声 （舞台左手で） あなたも、天に来なさい！ 道が開かれたのですから。 （バラクの妻も急いで上に登っていく） 舞台転換 （地中のドームは沈む。雲が湧き出し、千切れると、岩山のテラスが見えて来るが、これは「皇妃の夢の場面（第2幕）」で見えていた風景と同じである。水の湧きだしている所から、石段が上につながっており、大きな寺院の門につながるが、この門は山の内部に続いている。黒い水が、岩山の地面を切り取るようにして、こちらに流れ込んでくる） （舞台中央寄りにある入口の扉が開く。その最上段には、「使者」が待ち構えている。左右には、手下の精霊たちが控えている） （小舟が水の上を流れて来るが、漕ぎ手はいない。皇妃はその中でまどろみ、乳母はその脇にひざまずき、皇妃に腕を巻き付け、小舟がどこに行くのか気にしながら辺りを見渡している） （使者は小舟が近付くのを待ち構えていたが、小舟は止まる） 手下の精霊たち 来ましたぞ！ 使者 去れ！ （使者は、精霊たちと一緒に山中に引っ込み、金属製の扉が背後で閉じる） （皇妃は目を覚ます） （乳母は皇妃を押しとどめようとし、空いている方の手で小舟を岸から突き放そうとするが、うまくいかない） （一帯は明るくなってくる） （皇妃は立ち上がり、辺りを見渡し、陸に上がろうとする） 乳母 （あわてて興奮して、皇妃を押さえつけようとする） 早くここから去りましょう！ この岩山から舟を発たせますから、 手を貸してください！ （小声で） 超自然の力が 働いておりますわ！ こんなぞっとするような所には・・・ （強情に） 木偶（でく）の坊しか やってまいりません！ 私をないがしろにするお積り？ どうしようというのです！？ 皇妃 舟はずっとここに置いておくのよ・・・ わからないの？ あの階段は、何なの！？ 乳母 （舟を岸から離すのを諦め、熱に浮かされたようにせわしなく、あちこち歩き回る） じゃあ、舟はいいですよ！ さっさとここから 行きましょう！ 道なら分かっておりますとも。 七つの月の峰が ございますが、 この山は、その最高峰でございます。 一番ひどい所ですよ！ 着物をはしょって、 足を早めてくださいませ・・・ 下界にお連れ申し上げます。 早く行きましょう！ 皇妃 （階段のほうに向かいながら） この扉は！ （考えこみ、探りを入れながら） 前に一度、 この扉を見たわ！ （ラッパの響きが、山の中から聞こえて来る） この音が聞こえて？ 裁きのお触れよ！ （小声で、やや不安げに） お父さんなの？ カイコバート？ねえ？ 久しく、お父様を見なかったけど、 あたしには分かるわ・・・ お父様は、 ソロモンのように玉座に座り、 闇を払うのが お好きだった。 玉座は高く、 想いは底知れぬほど深い・・・ そして、清らかで気高い方。 そうよ、あたしは、その子だもの・・・ おそれはしないわ。 （乳母は不安げに脇の方を見やり、出口が見つからないか探す） （ラッパが、先ほどより大きな音で、また鳴る） 皇妃 （両手を上げて、恐怖にみちて） あたしの愛するお父さま！ あなたは、あの人を 裁くのですか・・・ この、あたしゆえに！ でも、あの人を縛り付けているもの・・・ それは、あたしをも縛っています。 あの人の苦しみ。それを、あたしも苦しんでいます。 あたしは、あの人の中にいて、 あの人は、あたしの中にいます！ あたしたちは、ひとつです。 あの方のもとに参ります。 （上に行こうと、向きを変える） 乳母 （不安に満ちて） こんな所は去りましょう！ あたしが影を手配します！ そう約束し、 誓ったはずじゃありませんか！ あなたは、今も昔のまま。 大事なお嬢様・・・ 今でも、あなたの体の中は 光が突き抜けて行く・・・ でも、あの女の 悲しい影は、 あなたに貼りつき、 かかとにくっついている！ だから今、 あなたは、あの女のようであって、 しかも、そうではないのです・・・ まだ、あなたは、定められたことを 果たすことができるのですよ！ （皇妃に取り入るように） さあ、愛するお人を 胸に抱きしめて下さい！ あたしが手伝って差し上げますよ。 あたしも、きっと辛抱しますわ・・・ あなたが、あの男の 腕に抱かれるのを目にし、 何年間も 雌犬のように あの家にとどまろうとも！ （諦めて、ため息をつくと、もはや熱を込めずに） なんてこった！ （きわめて力強く） ここからは去りましょう！ この戸口からは。 こんな戸口をまたぐなんて 死より辛いこと！ 皇妃 ならば、この戸口を知っているのね？ この扉がどこに向かっているかも 知っているんでしょう？ 答えなさい！ 乳母 （低い声で） 命の水へと。 皇妃 答えなさい！ （突然ぱっとひらめいて） 死の戸口へ！ 叫び声はそう言ってたわ。 話しなさい！ お前は、秘められた 事情を知っているはず。 答えなさい！ （乳母は黙ったまま） 皇妃 意地悪をして黙っていようというの？ そんなにも、あたしの心を くもらせようとと言うの？ あたし、わかっているのよ！ 見えているのよ！ （情熱を込めて） あたしは、あの人のもとへ行かねばならない！ 命の水を 感じ取り、 あの人に降り注がねばならない・・・ 命の水・・・？ それは、もしや、この血管を 流れる血のことかしら？ 血よ、流れゆけ！ あの人を目覚めさせるために！ （決然と、入口の方へ向かって行く） 乳母 （皇妃の前に身を投げ、服をつかんで） 後生ですから！ つかまっちゃいますよ・・・ 幾千ものクモの巣と ひどいぺてんと まやかしだらけです！ 命の水なぞ、 ひどいまやかしなのです・・・ あたしの血をみんな 差し出さねばなりません・・・ あなた様の こころも魂も あきらめねばなりません！ たしかに、山中には 水が湧き出ています。 きらめく噴水が 地中から吹き上げ、 金の柱となっています・・・ 命の水ですって！？ 我らが、それに 口をつけると・・・ 霊界の住人たる 我らは・・・ 死ぬよりもひどいことになります。 言いようもない ひどい災いを 我らの中に吸い込むことになり、 もはや救われることはないのです。 （しかし、皇妃は最上段に足を踏み入れる） 乳母 （この上ない恐怖にみちて） 聞こえないの？ カイコバート様は 怖ろしい方ですよ！ あの方のことを知っておいでですか！ あなたは、あの方の子供なのに、 人間の手に 自分を引き渡し、 死に行く定めの人間の一人に こころを無駄に捧げようとは！ あなたは、あの方から 怖ろしい罰を受けますよ・・・ あの方の手に落ちた暁には。 なぜなら、あの方にとって、 こんな怖ろしいことは前代未聞なのだから。 一族の誰かが 醜い者たちと交わって、 呪われた者の 一員になるなんてことは！ ああ、呪われよ！ あなたを産んだ人・・・ そして、あなたの血を流れる 人間への憧れ！ ああ、呪われろ！ 皇妃 （浄化された面持ちで、きっぱりと） 我らの行いゆえに 裁きは下るの！ 我らの心ゆえに ラッパが鳴ったの。 出廷を求められているんだわ！ （決然と乳母に手を差し伸ばし、命令する） 乳母よ、もう永久に 会うことは無いわ。 人間の求めるものを あなたは余りに知らなさすぎた。 心に抱く秘密が どの方向を指していたか、 あなたにはまるで分からなかった。 （きわめて荘厳に、威厳を込めて） いかなる代償を 払っても、 重き罪から よみがえり、 不死鳥のように、 永久の死から、 永久の生へと、 どんどん高みを指して登って行くのよ・・・ 夢にも見たことのない高みを指して・・・ あなたには決してわからないわ。 あたしは、もはや彼ら人間の一族。 （力強く） あなたなど、もはや役には立たない！ （皇妃が扉に進むと、扉は音も無く開き、中に入ると、扉が閉まる） 乳母 （後を追おうとするが、どうしてもその場所に踏み込めず、階段の上で絶望する） 人間の求めるものですって？ あいつらの欲するものは 騙し合いじゃないか。 詐欺ばっかりだ！ 人間どもよ、呪われろ！ 果てしない探索、 虚無への前進、 不安混じりの 欲望じみた狂気・・・ そんなものが、あたしの可愛いお嬢さまの 水晶のように透き通った心に 入るとは！ 人間どもよ、呪われよ！ （暗くなり、赤い霧が立ち込めてくる） バラクの声 （風の中で） ああ！ バラクの妻の声 （反対側から） ああ！ バラクの声 会いたいのに！ バラクの妻の声 （泣きながら） ああ、大好きなひと！ バラクの声 おそれないで！ こっちだよ、こっちだ！ バラクの妻の声 （声を合わせて） 見つけて。 殺して！ 二人 ああ、ダメだ、ああ！ 乳母 人間め！人間め！ 憎ったらしい！ うなぎのようにうようよし、 鷲のように、つんざき声を上げ、 大地を我が物のようにしやがって！ みんな死んじまえ！ バラク （霧の中を、舞台の右側から入って来る） いくら探しても、逃げて行ってしまう。 （乳母に気付き、恐怖に満ち、抑えた声で、ほとんど呻き声のように）妻を見なかったか・・・ おお、女中よ？ 乳母 （左上を指しながら） あっちに行ったわ！ あの上のほうよ！ あんたのことを、死ねと ののしっていたわ！ 罰を与えなさい・・・ 報復しなさい・・・ 早く！ バラク （舞台左手の上のほうへ退場） あの人のもとへ！ バラクの妻 （舞台左手の、ずっと下の方から現れて） ああ・・・あなた・・・どこなの？・・・あなた・・・ あなたのもとに行きたい！ 乳母 （舞台右手を指し） あっちだよ！ 夫の手で 殺されるわよ。 逃げなさい、 さあ！ バラクの妻 （舞台右手の風と霧の中に駆け去って行き、荒々しく、きっぱりと） バラク！ここよ！ 剣を振るって。 あたしを殺して。 さあ、早く！ （舞台右手に消えると、舞台は暗くなる） 乳母 おお、お嬢さま、 敵の手中に引き渡されて、 眼の前にあるものは、 まやかしばかり。 足の前には、 落し穴と罠ばかり！ 行ってしまった！ 飲むのですか！？ 金色の災いの液が 唇に跳ね、 体内深く落ちて行きますよ！ すると、お嬢さまの顔は、 ピクリとふるえ、 傷ついた喉からは 人間の叫び声が あふれ出て来ますよ！ お嬢さまを助けねば！ 私も死なねば！ カイコバート様！ （乳母自身も扉に行こうとする） 使者 （扉の中から出て来て、冷たく） 主の名を呼ぶのか？ 雌犬め！誰に向かって 物を言うのだ？ この戸口から 去るがいい！ 永久に消え失せろ！ 乳母 （興奮のあまり狂ったように） あたしの役目は・・・ おお、使者よ！ この３日間！ あたしは、お嬢さまをお守りしたわ。 そして言い争った・・・ ですが、お嬢さまは、あたしを拒み、 もう言うことを聞いてくれない・・・ カイコバート様！ あたしの言うことをお聞きください！ （使者の脇を通り過ぎようとする） 使者 （行く手をさえぎって、冷たく） お嬢さまは、もう御前に立っているのだ！ 誰が、お前なぞ必要だと言うのだ？ いらぬわ。 自分の道を見つけるがいい！ 乳母 カイコバート様！ 下女が 叫んでおるのです・・・ 罰するというのならともかく、 こんな前代未聞の 追放はしないでください！ あなたの手に委ねられれば、 申し開きをいたします！ カイコバート様！ （霧が入って来て、厚い雷雲と嵐はますます激しくなって行く。辺りはどんどん暗くなって行く。 嵐の中に、染物師たちの声が響いて来て、むだに互いに呼び掛け合っている。使者は、その声と合わせるようにして） 使者 （力を込めて、嘲りの色を込めて） 何様のつもりだ、お前は？ あの方に呼びかけるとは？ いったい何を知っていると言うのだ？ あの方の意図と、 お嬢さまを試した 真意について・・・。 あの方が、お前に お嬢さまを守るよう命じた時、 誰がお前に言っただろうか？ お嬢さまがお前の手から離れることを 望んでいないなどと・・・。 （ますます恐ろしさを増していき） もはやお前は 永久に追放の身・・・ もう、お嬢さまを 守る事もできない！ バラク （目には見えない） ああ、お前！ バラクの妻 （目には見えない） ああ、あなた！ バラク どこにいるの？ バラクの妻 どこにいるの？ バラク 逃げないで！ バラクの妻 見つけてよ！ バラク ここにお出で！ バラクの妻 ここに来て！ バラク 会いたい・・・呼吸をして、生きたいんだ！ バラクの妻 かわいい子供を、あなたにあげたい！ バラク ああ、おしまいだ！ バラクの妻 ああ、もうダメだわ！ バラク この両手を・・・！ バラクの妻 ああ、こんな若いのに！ バラク 自分をゆるし、元気になってくれ！ バラクの妻 この身をあなたへの愛に尽くせれば！ バラク ああ、おしまいだ！ バラクの妻 お願いよ！ バラク 死ぬのか！死ぬ！ バラクの妻 ああ、みじめな！ バラク 私の役目は、 あなたを抱きしめ、 あなたを両手に かき抱くことだ。 乳母 あの方の怒りが あたしに向かうとは！ お嬢さまの所に行くわよ！ 使者 あの方の怒りは お前に向けられている。 お前は、お嬢さまのお顔を もう二度と見られまい！ 乳母 ああ、お嬢さま！ あたしは、もうだめだ！ 呪われよ、破滅せよ、 人間ども・・・ お前らの体よ、 炎に食いつくされよ！ 使者 （嘲りを込めて） その人間どもの間を うろつくことが、 お前の運命だ！ お前の憎しみの相手達と いっしょに住まい、 そいつらの息に まざりあうのさ。 毎日、新たにな！ 乳母 （我を失ったかのように） 憎しんでやまない奴らと いっしょに住まい、 そいつらの吐く息に まざりあうですって？ 毎日、新たに！ （乳母は使者の方に迫り、その脇をすり抜けようとする） 使者 （荒々しく乳母をつかまえると、階段から突き落とす） さあ、舟よ。 この女を乗せて 月の峰を下り、 人間達のもとへ向かえ！ 乳母 お前らの体よ、 炎に食いつくされよ！ （乳母が小舟に倒れ込むと、小舟は岸を離れて激しく川を下って行く。乳母の叫び声は突き抜けるように響いてくるが、それも次第にやむ） 使者 （冷たく） 滅びるがいい！ お前は、 掟に逆らったのだから！ （稲妻、雷鳴、ラッパの響き） 舞台転換 （幕が開いたままの舞台転換。寺院風の舞台は、次第に明るくなって来るが、まだ完全には明るくならない。舞台中央の壁の穴にはカーテンがかかっている。皇妃は、ただ一人、下から登って来る。部下の霊たちが、松明を持って、皇妃を迎えるが、その姿はまだ闇の中にある） 第一の霊 うやまえ！ 第二の霊 勇気を出して！ 第三の霊 運命を成就せよ！ （霊たちは消えてしまう） 人間達の声 （外から響いてくるが、その声は、あたかも扉が閉まったかのように、どんどん弱くなって行く） 皇妃 （カーテンのかかった壁の穴へと向かう） お父様、あなたなの？ 暗闇から 脅しつけるつもりね？ さあ、あなたの子供が参りました！ 献身を 学ぶことはできたけど、 影を 手に入れることは できませんでした。 あたしの居場所を教えて下さい。 影を投げる者達の間で、 あたしにふさわしい 場所はどこ？ （黄金の噴水が、きらきらと輝きながら、地面から水を吹き上げる） 皇妃 （一歩、後じさりしながら） 金色の水、 命の水で この身を強める 必要はない！ あたしの中には、愛があり、 愛は、どんなものにも勝るのだから。 一人の声 （天上から） 愛する者よ、この水を飲みなさい！ 飲めば、あの女のものだった影は、お前のもの。 お前は、あの女のようになるのです。 皇妃 ですが、あの女はどうなるのです？ バラクの妻の声 バラク！ バラクの声 どこなんだ？ バラクの妻の声 ああ、どこなの？ バラクの声 お出で、ここへ！ バラクの妻の声 ああ、ダメだわ！ バラクの声 ああ！おしまいだ！ 皇妃 バラクの声！ バラクの眼差し！ あたしの罪よ、 ここも、かしこも、 かしこも、ここも！ （水は、ゆっくりと沈んで行く） （身ぶるいしながら） 星たちの名を あたしは呼んで願うわ。 人間の罪から きれいなままでいさせてほしいと！ あの水には血が付いている。 だから、あたしは飲まないの！ （水は完全に沈み切ってしまう） でも、あたしは逃げたりしない！ あたしの居場所は、この世界。 ここに、あたしは罪があり、 あたしは、ここの一員だもの。 あなたがどんな暗闇に 隠れていても、 あたしの胸には 光があって、 あなたの闇を掃います！ あたしのことを裁いてちょうだい！ 出て来て、お父様！ 裁き手よ、現れて！ （カーテンの後ろの光はどんどん強まっていき、ついにその明るさが最高潮に達した時、カーテンは透明なヴェールに変わる。　光を放っている穴の中には、石造りの玉座があり、そこに皇帝が座っている。　皇帝は固まって、石になっており、両眼だけが生きているように見える） 皇妃 （語り） ああ！つらいわ！ あの人が、固まってしまった！ 自分の体の中に 生き埋めにされている！ 呪いが現実のものに！ あたしという存在が 知らずに犯した罪が あの人に下されたのだわ。 なぜなら、あの人は あたしの秘密をことのほか愛し、あたしを その秘密のゆえに妻に選んだのだから・・・ 無慈悲に、 そして夢中になって、 あの人は、あたしの秘密に 恋の心を捧げてしまった！ でも、あたしの心の結び目は、 人の手なんかじゃ ほどけない・・・ 今や、その手も固まっている・・・ 心をほどけなかった手は。 心臓も石になったのね、 あたしの心の冷たさゆえに！ あたしの運命こそ、 あの人の罪！ あたしの罪こそ、 あの人の運命！ ああ、星たちよ。 この人をこうしたのは、 あなたたちよ！ （絶望したまま、石になった皇帝に近寄って行く） あなたと死ぬわ。 起きて！起きてよ！ 目には目、 口には口、 あなたと一緒に 死なせて下さい！ （石になった皇帝を抱きしめるために出て来るが、そうする勇気が出ない。自分に向けられる視線から恐怖のあまり目を背けても、皇帝の両眼は皇妃をずっと追いかけて来る） （この上ない苦しみを感じつつ） その眼差しはやめて！ あたしには助けられないの。 どうしようもないの！ （崩れ落ちるように倒れ、手で目を覆う） （石像は強い光を受けて赤々と輝き、その両眼は物言わぬまま哀願するように王妃に向けられている） この世ならざる声 （深淵からのように、こもった音でどよめいて来る） 女は、影を地に投げず、 ミカドは、石にされるとは！ （石像は鉛のように黒くなっていく。王妃の足下から、以前と同様に、金色の水がきらきら輝きながら高く吹き上がる） 声 （天上から） 言えばいいのです・・・そうします！と。 そうすれば、あの女の影は、お前のものです！ この男は立ち上がって生き返り、 お前とともに帰れるのです！ そのしるしとして、身を投げ出して、飲むのです！ 皇妃 （恐ろしい内心の葛藤の中で地面に横たわっている。語りで） あたしを試さないでください。 カイコバートよ！ あたしは、あなたの子供です！ あたしを死なせて・・・ あたしが屈服する前に！ バラクの声 もう助けられないのか！ バラクの妻の声 ああ、死ぬんだわ！ 皇妃 （ひざまずいて上体を起こすと、その口元からは、苦しみに満ちた、呻くような叫び声がこぼれ出て、その合間に言葉が出る・・・） そうは・・・しない・・・わ・・・！ （この言葉が聞こえると、すぐに水は下に沈み、舞台はいったん暗闇になった後で、上から明るくなってくる。気を失いながら床から身をもたげた皇妃からは、輪郭のくっきりした「影」が、舞台を横切って伸びて行く・・・。皇帝は玉座から立ち上がり、階段を降りていく） 皇帝 「水晶の、心が壊れて 叫び出し、 生まれていない者たちが、 星の光のように落ちて来る時・・・ 夫を見つめる妻の 腰まわりと頭と毛髪から、 この世の影が落ちてくる時・・・ その時、死者は、 肉の墓場から起き上がり、 天の御使い達すらも 空の上から飛んでくる！」 私には、そんな歌が聞こえていたのだ・・・ 死んでいた間じゅう、ずっと。 今や、私は、生き返ったのだ！ 聖霊たちも、すぐに来る。 歌を歌いつつ、ただよってくる・・・ （丸天井から落ちる光は、どんどん強まって行く。天上からは、「生まれていない者達」の声が落ちて来る） 生まれていない者達の声 （数人） さあ、みんなで言おう・・・お父さん！ （別の数人） さあ、みんなで呼ぼう・・・お母さん！ （さらに数人） 登っておいで！ （また別の数人） やだよ、降りてこいよ！ どの階段も、ぼくらの所につながっているから！ 皇妃 （上を指して） 声を上げているのは、 天使たちかしら？ 皇帝 （階段の最下段から） まだ生まれていない者達だ。 今や、彼らも生を得て、 日の出のような赤い翼で、危うく破滅しかけた 私たちのもとに降りて来るのだ・・・ この強き子供たちも、星の光に乗って 私たちのもとにやって来る。 あなたは自分に打ち勝った。 天の御使いが授けてくれたのだ・・・ 子供達と、その父親とを。 生まれていない者達は、いまや自由になったのだ！ 彼らは、我らを見出だして、 今や勇んで降りて来る！ （皇帝は、階段の最後の段からも降りる。皇妃は、それを迎えに行こうとし、天を指し示すと、そこからはますます明るい光が降り注いで来て、銀色の鈴の音が「生まれていない者達の歌」の前奏となる。皇妃はひざまずく。皇帝は皇妃と向かい合い、同じようにひざまずく。生まれていない者達が歌い始める。皇妃と皇帝は、お互いに顔を手にうずめ合う） 生まれていない者達の声 （天上から） さあ、あなた方に命じるよ・・・ 輪になって踊って、抱きしめ合おう。 ぼくらの生が 楽しいものになるように！ 試練をけなげに 耐えたから きらきら光る冠が ぼくらのために造られたんだ！ （皇帝と皇妃は、感極まって上の方を見つめながら、立ち上がる） 皇妃 （皇帝の手と自分の手とを触れ合わせながら） 天使たちが、自分たちのことを歌っているわ！ 歌の力が、あたし達をとらえるわ！ 錨も持たず、行くあてもなく、 生まれずに捨てられていた子供たち・・・ あの子たちが、呼びかけながら、二人の周りを 飛び交えば、あたしは、あたしは、あなたのものよ！ 皇帝 どこにも休む場所は無く、 錨も無ければ、港も無くて、 どこにも休めず・・・ただ飛んでいく。 一つの場所から、別の場所へと。 あの子たちが、呼びかけながら、二人の周りを 飛び交えば、あなたは、あなたは、私のものだ！ （二人はしっかと抱きしめ合ったままでいる。明るい雲が二人を取り巻く） 舞台転換 （険しい登り坂になっている綺麗な風景が出現する。中央には、金色の滝が、大地の裂け目を流れ落ちている。皇帝と皇妃が滝の上にいて、その高い所から降りて来るのが見える） バラクの妻 （舞台左手の細い歩道を通って） あの人の愛が与えられないなら、 あたしに裁きをくだしてください・・・ そうよ、あの人の剣で！ （谷の脇のところまで舞台前方に走って来る） バラク （舞台の反対側にいて） 待つんだ。見つけたよ。 ずっと、あなたを守るから。 永遠の伴侶よ！ （バラクの妻がバラクを見つけ、手を差し出すと、谷を横切って、バラクの妻の影が射す） バラク （歓喜して） 影だよ、あなたの影だ。 影が、あなたのもとへと連れて行ってくれる。 バラクの妻 妻があなたのもとへ参ります！ あたしの大切な人！ 生まれていない者達の声 お母さん、あなたの影だ！ ああ、何て美しい！ あなたの夫が あなたのもとへ！ （その瞬間、影のある場所には、谷を横切って金色の橋が掛けられる） （バラクとバラクの妻は橋の上を通り、互いの腕と腕を重ね合わせる） （皇帝と皇妃は、上のほうで、断崖の縁まで進み出て来る。彼らは下の方に目をやり、別のもう二人は、上の方に目をやる） バラク 今、私は誰も味わったことの無い歓喜を味わおうとしている。誰もしたことのない事をしようとしている。 私の中に、両手が伸びていく。 かがやく両眼、子供のような口、 聖なる力のおかげで、 私は戸口を踏み破ったのだ！ 皇帝 （下の二人を指差し、さらに下の人間界をも指差して） 遠くから響いてくるのは、 不安と混乱・・・ だが、良く耳を傾けるのだ・・・ この音の、なんと人間的なことか！ なんと心を揺さぶる音か・・・ この音を、お前の中に受け入れるのだ、 兄弟たちよ、親しき友よ！ 合唱 （見えないところから、舞台に歓声を上げて） 兄弟たちよ、親しき友よ！ 皇妃とバラクの妻 影を投げることが あたしたち二人に許されたわ・・・ 試練の炎に 鍛えられたわ。 死の瀬戸際にまで行き、あやうく 殺し殺されるところだったけれど、 いまや、幸せな子供たちの 母親になったのです！ （ヴェールが舞台前方に垂れ、登場人物と風景を覆い隠す） 生まれていない者達の声 （オーケストラの中で） とうさま、怖れはしないでね。 かあさま、悩みはもうないよ。 二人を、怖がらせていたものは、 ほうら、もうすぐ消えて行く。 いつか、祭りがあるときは、 きっと、ひそかに、こうなるよ・・・ 招待客のぼくたちこそが、 ほんとは祭りの主催者なのさ！ DRITTER AUFZUG Unterirdische Gewölbe, durch eine querlaufende dicke Mauer in zwei Kammern geteilt. In der rechten wird Barak sichtbar in düsterem Brüten auf dem harten Stein sitzend, zur Linken die Frau, in Tränen, mit aufgelöstem Haar. Sie wissen nicht voneinander, hören einander nicht. Die Frau zuckt zusammen.Im Orchester ertönen die Stimmen der ungeborenen Kinder wie im ersten Aufzug. FRAU Schweiget doch, ihr Stimmen! Ich hab es nicht getan! – – – – – – – – Barak, mein Mann, oh, dass du mich hörtest, dass du mir glaubtest vor meinem Tode! – – – – – – – – Dich wollt ich verlassen, o du, den zuvor niemals ich sah! Dich wollt ich vergessen und meinte zu fliehen dein Angesicht dein Angesicht, es kam zu mir – O dass du mich hörtest, o dass du mir glaubtest. – dein Angesicht, daß ich Unselge für immer verlor. Dich wollt ich vergessen – da musste ich dich denken und wo ich ging verbotene Wege, und meinte zu fliehen dein Angesicht... es kam zu mir und suchte mich zuvor die Seele die Tat getan! Ein fremder Mann, ich zog ihn her, er war mir nah – aber nicht völlig – Barak, Barak, dich weckt ich doch, weisst du es nicht? BARAK für sich Mir anvertraut, dass ich sie hege, dass ich sie trage auf diesen Händen und ihrer achte und ihrer schone um ihres jungen Herzens willen! FRAU teilweise zusammen mit ihm Dienend, liebend dir mich bücken dich zu sehen! atmen, leben! Kinder, Guter, dir zu geben! – BARAK Mir anvertraut – und taumelt zur Erde in Todesangst vor meiner Hand! Weh mir! Dass ich sie einmal noch sähe und zu ihr spräche Fürchte dich nicht. Stille. EINE STIMME von oben, auf Baraks Seite Auf, geh nach oben, Mann, der Weg ist frei! Es fällt zugleich mit der Stimme ein Lichtstrahl von oben in Baraks Verlies; die Stufen einer Wendeltreppe, in den Fels gehauen, werden sichtbar.Barak richtet sich auf und beginnt hinaufzusteigen. FRAU Barak, mein Mann! Strenger Richter, hoher Gatte! Schwängest du auch dein Schwert über mir, in seinem Blitzen sterbend noch sähe ich dich! Ein Lichtstrahl fällt von oben in ihr Verlies, der Schein in Baraks leerer Kammer ist erloschen. EINE STIMME auf der Linken Frau, geh nach oben, denn der Weg ist frei. Die Frau eilt nach oben. Verwandlung Das Gewölbe versinkt. Wolken treten vor, teilen sich, enthüllen eine Felsterrasse, jener gleich, die während des Schlafes der Kaiserin sichtbar wurde. Steinerne Stufen führen vom Wasser aufwärts zu einem mächtigen tempelartigen Eingang ins Berginnere. Ein dunkles Wasser, in den Felsgrund eingeschnitten, fliessend gegenüber.Die Tür zum mittleren Eingang offen. Auf der obersten Stufe der Bote, wartend. Dienende Geister rechts und links.Ein Kahn kommt auf dem Wasser geschwommen, ohne Lenker. Die Kaiserin liegt darin, schlummernd, die Amme kniet neben ihr hält sie umschlungen, bewegt um sich schauend, wohin der Kahn treibe.Der Bote hat das Herankommen des Kahnes abgewartet. Der Kahn hält an. DIENENDE GEISTER Sie kommen! BOTE Hinweg! Er tritt ins Innere zurück, die Geister zugleich, die eherne Tür schliesst sich hinter ihnen.Die Kaiserin erwacht.Die Amme sucht sie zurückzuhalten, mit dem freien Arm den Kahn vom Ufer wegzustossen, vergeblich.Die Gegend erhellt sich.Die Kaiserin erhebt sich, blickt um sich, will ans Land. AMME drückt sie nieder hastig, aufgeregt Fort von hier! Hilf mir vom Fels lösen den Kahn! leise Übermächte spielen mit uns! Zum greulichsten Ort eigenwillig strebt das Gemächte aus bösem Holz! Wär ich nicht gewitzigt, was würde aus dir! KAISERIN Der Kahn will bleiben – siehst du denn nicht? Die Treppe, schau! AMME gibt s auf den Kahn vom Ufer zu stossen, treibend, mit fieberhafter Ungeduld So lass den Kahn! Nun fort von hier! Ich weiss den Weg, Mondberge sieben sind gelagert, dies ist der höchste ein böser Bereich! Geschürzt dein Kleid und hurtig die Füsse ich führ dich hinunter, ich finde hinaus! KAISERIN ist auf die Treppe hinausgetreten Hier ist ein Tor! sinnend, suchend Einmal vordem sah ich dies Tor! Posaunenruf wie aus dem Innern des Berges Hörst du den Ton? Der läd t zu Gericht! leise, etwas beklommen Mein Vater, ja? Keikobad? Sag? Lang sah ich ihn nicht, doch weiss ich wohl er liebt es zu thronen wie Salomo und aufzulösen, was dunkel ist. Hoch ist sein Stuhl und abgründig sein Sinn – rein und mutig doch, ich bin sein Kind ich fürchte mich nicht. Amme ängstlich, späht nach der Seite, ob sich ein Ausweg finden liesse.Die Posaune ruft abermals, stärker. KAISERIN die Hände erhoben, angstvoll Mein Herr und Geliebter! Sie halten Gericht über ihn um meinetwillen! Was ihn bindet, bindet mich. Was er leidet, will ich leiden, ich bin in ihm, er ist in mir! Wir sind eins. Ich will zu ihm. wendet sich, hinaufzuschreiten AMME angstvoll Fort mit uns! Ich schaff dir den Schatten! So ist es gesetzt und so beschworen! Du bleibst die gleiche, Töchterchen, liebes, und durch deinen Leib gleitet das Licht – allein des Weibes trauriger Schatten, dir verfallen, haftet der Ferse! Ihresgleichen scheinst du dann und bist es nicht doch du erfüllst, was bedungen war! schmeichelnd So hab deinen Liebsten und herze ihn! Ich helf dir ihn finden, ich will es tragen, dass ich ihn sehe in deinen Armen auf Jahr und Tag und bleibe die Hündin in seinem Hause! resigniert seufzend, nicht heftig Wehe mir! sehr stark Nur fort von hier! Fort von der Schwelle, sie zu betreten, ist mehr als Tod! KAISERIN So kennst du die Schwelle? So weisst du, wohin dies Tor sich öffnet? Antworte mir! AMME dumpf Zum Wasser des Lebens. KAISERIN Antworte mir! plötzlich erleuchtet Zur Schwelle des Todes! So scholl der Ruf. Steh mir Rede! Du weisst das Geheime und kennst die Bewandtnis. Antworte mir! Die Amme schweigt. KAISERIN Schweigst du tückisch? Willst du mit Fleiss den Sinn mir verdunkeln? Hell ist in mir! Hell ist vor mir! leidenschaftlich Ich muss zu ihm! Wasser des Lebens, ich muss es erspüren, ihn besprengen – Wasser des Lebens – ist es das Blut aus diesen Adern? Fliesse es hin, dass ich ihn wecke! Sie wendet sich entschieden dem Eingang zu. AMME wirft sich vor sie hin, fasst sie am Gewand Hab Erbarmen! Du verfängst dich tausend Netze, Gaukelspiel, greulicher Trug! Wasser des Lebens, greuliches Blendwerk – müsst ich darüber mein Blut hingeben –, halte ich ab von deiner Seele und deinem Herzen! Ein Wasser springt wirklich im Berge. Leuchtend steigt es, goldene Säule, aus dem Grund Wasser des Lebens! Wer daran die Lippen legte – einer der unsern, von Geistern stammend – mehr als Tod, greulich unsagbar teuflisches Unheil schlürft er in sich rettungslos. Die Kaiserin ist auf die oberste Stufe getreten. AMME in höchster Angst Hörst du mich nicht? Fürchterlich ist Keikobad! Was weisst du von ihm! Du bist sein Kind und hast dich gegeben in Menschenhand und dein Herz vergeudet an einen von den Verwesenden! Fürchterlich straft er dich, wenn du fällst in seine Hand. Denn er kennt kein Greuel über diesem, dass eines spiele mit den Verhassten und sich mische mit den Verfluchten! Weh über sie, die dich gebar, und Menschensehnsucht dir flösste ins Blut! Weh über dich! KAISERIN verklärt, entschlossen Aus unsern Taten steigt ein Gericht! Aus unserm Herzen ruft die Posaune, die uns lädt. – entschieden, die Hand gegen sie ausstreckend, gebietend Amme, auf immer scheid ich mich von dir. Was Menschen bedürfen, du weisst es zu wenig, worauf ihrer Herzen Geheimnis zielet, dir ist es verborgen. sehr feierlich und gross Mit welchem Preis sie alles zahlen, aus schwerer Schuld sich wieder erneuern, dem Phönix gleich, aus ewigem Tode zu ewigem Leben sich immer erhöhen – kaum ahnen sie s selber – dir kommt es nicht nah. Ich gehöre zu ihnen, mächtig du taugst nicht zu mir! Sie tritt ans Tor das sich lautlos öffnet, sie tritt hinein, das Tor schliesst sich. AMME will ihr nach, wagt sich nicht in den Bereich, verzweifelnd auf der Treppe Was Menschen bedürfen? Betrug ist die Speise, nach der sie gieren. Betrüger sie selber! Fluch über sie! Das ewige Trachten, Vorwärts ins Leere, der angstvermischte gierige Wahnsinn – hinübergeträufelt in meines Kindes kristallene Seele! Fluch über sie! Es dunkelt, rötlicher Nebel tritt herein. DIE STIMME BARAKS im Wind Ah! DIE STIMME DER FRAU von der anderen Seite Ah! DIE STIMME BARAKS Dass ich dich fände! DIE STIMME DER FRAU klagend O mein Geliebter! DIE STIMME BARAKS Fürchte nichts! Sieh, o sieh! DIE STIMME DER FRAU zugleich Finde mich, töte mich! BEIDE Weh, weh, o weh! AMME Menschen! Menschen! Wie ich sie hasse! Wimmelnd wie Aale, schreiend wie Adler, schindend die Erde! Tod über sie! BARAK im Nebel herein, von rechts Ich suche meine Frau, die vor mir flieht. erkennt die Amme, angstvoll, gepresst, fast stöhnend Hast du sie nicht gesehn – O meine Muhme? AMME zeigt nach links aufwärts Dort hinüber! Dort hinauf! Sie verflucht dich in den Tod! Strafe sie – räche dich – schnell! BARAK ab nach links aufwärts Zu ihr! Zu ihr! FRAU erscheint von links weiter unten O du – o du – wo ist mein Mann? O du – ich will zu ihm! AMME zeigt nach rechts Dort hinüber! Dich zu töten mit seinen Händen. Rette dich, flieh! FRAU eilt nach rechts in den Wind und Nebel, wild entschlossen Barak! Hier! Schwinge dein Schwert. Töte mich schnell! verschwindet rechts; es dunkelt AMME Wehe, mein Kind, ausgeliefert, Gaukelspiel vor ihren Augen, Fallen und Stricke vor ihrem Fuss! Sie ist hinein! Sie trinkt! Das goldne, flüssige Unheil springt auf die Lippen, wühlt sich hinab! Ihr Gesicht greulich zuckt, ein menschlicher Schrei ringt sich aus der wunden Kehle! Ihr zu Hilfe! Müsste ich sterben! Keikobad! Sie will ans Tor BOTE tritt aus dem Tor, ehern Den Namen des Herrn? Hündin, zu wem hebst du die Stimme? Fort mit dir von der Schwelle! Pack dich, für immer! AMME wie wahnsinnig vor Erregung Mir anvertraut – du selber, Bote! Drei Tage lang! Ich hab sie gehütet, ich rang mit ihr – sie stiess mich von sich – sie kennt mich nicht mehr – Keikobad! Er muss mich hören! will an ihm vorbei BOTE vertritt ihr den Weg; ehern Sie ist vor ihm! Wer bedarf deiner? Niemand. Such dir den Weg! AMME Keikobad! Deine Dienerin schreit zu dir – Strafe sie, aber verwirf sie nicht ungehört! Mir übergeben, ich steh dir Rede! Keikobad! Der Nebel tritt herein, wird immer dichter Gewitter und Sturm nehmen zu an Heftigkeit. Es dunkelt mehr und mehr. Im Sturm tönen die Stimmen der Färbersleute, die einander vergeblich rufen und suchen. Zugleich. BOTE gewaltig, mit einem Anflug von Hohn Wer bist du, dass du ihn rufest? Was weisst du von seinem Willen und wie er verhängt hat ihr die Prüfung? Wenn er dich hiess des Kindes hüten, wer heisst dich raten, ob er nicht wollte, dass sie dir entliefe? immer schrecklicher Und trotzdem dich verwirft auf ewig dass du nicht vermochtest, ihrer zu hüten! BARAK unsichtbar O du! FRAU unsichtbar O du! BARAK Wo bist du? FRAU Wo bist du? BARAK Fliehe nicht! FRAU Finde mich! BARAK Komm zu mir! FRAU Komm zu mir! BARAK Dich zu sehen – atmen, leben! FRAU Kinder, Guter, dir zu geben! BARAK Weh, verloren! FRAU Weh, vertan! BARAK Diese Hände –! FRAU Weh, so jung! BARAK Dir vergeben, dich erquicken! FRAU Liebend, dienend dir mich bücken! BARAK Weh, verloren! FRAU Hab Erbarmen! BARAK Sterben! Sterben! FRAU Weh, uns Armen! BARAK Mir anvertraut, dass ich dich hege und dich trage auf diesen Händen. AMME Schlage er mich mit seinem Zorn! Ich will zu ihr! BOTE Mit seinem Zorn schlägt er dich, dass du ihr Antlitz nicht wiedersiehst! AMME Weh, mein Kind! Mir verloren! Fluch und Verderben über die Menschen – fressendes Feuer in ihr Gebein! BOTE mit Hohn Unter den Menschen umherzuirren, ist dein Los! Die du hassest, mit ihnen zu hausen, ihrem Atem dich zu vermischen immer aufs neu ! AMME wie von Sinnen Die ich hasse, mit ihnen zu hausen, ihrem Atem mich zu vermischen immer aufs neu ! Sie drängt sich dicht an den Boten, will an ihm vorbei. BOTE fasst sie gewaltig und stösst sie die Treppe hinab Auf, du Kahn, trage dies Weib Mondberge hinab den Menschen zu! AMME Fressendes Feuer in ihr Gebein! Die Amme stürzt im Kahn zusammen, der Kahn löst sich und treibt jäh hinab. Ihr Schrei, durchdringend, verhallt. BOTE ehern Verzehre dich! Dir widerfährt nach dem Gesetz! Blitz, Donner, Posaune Verwandlung Offene Verwandlung. Allmählich erhellt sich, aber noch nicht zu völliger Klarheit, das Innere eines tempelartigen Raumes. – Eine Nische, die mittelste, ist verhängt. Die Kaiserin, allein, steigt von unten empor. Dienende Geister, fackeltragend, ihr entgegen, noch im Dunkel. ERSTER GEIST Hab Ehrfurcht! ZWEITER GEIST Mut! DRITTER GEIST Erfülle dein Geschick! sie verschwinden MENSCHENSTIMMEN tönen von draussen herein, doch schwächer und schwächer, als wären Türen zugefallen KAISERIN geht auf die verhängte Nische zu Vater, bist du s? Drohest du mir aus dem Dunkel her? Hier siehe dein Kind! Mich hinzugeben, hab ich gelernt, aber Schatten hab ich keinen mir erhandelt. Nun zeig mir den Platz, der mir gebührt inmitten derer, die Schatten werfen. Ein Springquell goldenen Wassers steigt leuchtend aus dem Boden auf. KAISERIN einen Schritt zurückgehend Goldenen Trank, Wasser des Lebens, mich zu stärken, bedarf ich nicht! Liebe ist in mir, die ist mehr. EINE STIMME von oben So trink, du Liebende, von diesem Wasser! Trink, und der Schatten, der des Weibes war, wird deiner sein, und du wirst sein wie sie. KAISERIN Jedoch was wird aus ihr? DIE STIMME DER FRAU Barak! DIE STIMME BARAKS Wo bist du? DIE STIMME DER FRAU Wehe, wo? DIE STIMME BARAKS Herzu mir! DIE STIMME DER FRAU Ach, vergebens! DIE STIMME BARAKS Weh! Verloren! KAISERIN Baraks Stimme! Baraks Blick! Meine Schuld hier wie dort, dort wie hier! {Das Wasser fällt langsam. schaudernd} Sternennamen rief ich an, rein zu bleiben von Menschenschuld! Blut ist in dem Wasser, ich trinke nicht! Das Wasser versinkt gänzlich. Doch weich ich nicht! Mein Platz ist hier in dieser Welt. Hier ward ich schuldig, hierher gehör ich. Wo immer du dich birgst im Dunkel – in meinem Herzen ist ein Licht, dich zu enthüllen! Ich will mein Gericht! Zeige dich, Vater! Mein Richter, hervor! Das Licht hinter dem Vorhang wird stärker und stärker, endlich ist seine Kraft so gross, dass der Vorhang zum durchsichtigen Schleier wird. In der strahlend erhellen Nische sitzt auf steinernem Thron der Kaiser. Er ist starr und steinern, nur seine Augen scheinen zu leben. KAISERIN gesprochen Ach! Weh mir! Mein Liebster starr! Lebendig begraben im eigenen Leib! Erfüllt der Fluch! Meines Wesens unschuldige Schuld an ihm gestraft, weil er zu sehr mein Geheimnis geliebt, um das er mich wählte – erbarmungslos, dahingeopfert, meinem Geheimnis sein liebendes Herz! Ungelöst meiner Seele Knoten von Menschenhand – Starr nun die Hand, die ihn nicht löste – Versteinert sein Herz von meiner Härte! Mein Geschick seine Schuld! Meine Schuld sein Geschick! Weh, ihr Sterne, also tut ihr an den Menschen! Sie nähert sich in Verzweiflung dem Versteinerten. Mit dir sterben, auf, wach auf! Aug in Aug , Mund an Mund mit dir vereint, lass mich sterben! Sie will hervor, den Versteinerten zu umschlingen, und wagt es nicht. Wie sie in Angst vor dem auf sie gerichteten Blick nach der Seite zurückgeht, folgen ihr die Augen des Kaisers nach.in höchster Qual Nicht diesen Blick! Ich kann nicht helfen, ich kann nicht! Sie fällt zusammen, bedeckt die Augen mit den Händen.Die Statue glüht im stärksten Licht, die Augen mit stummer Bitte auf die Kaiserin gerichtet. UNIRDISCHE STIMMEN dumpfdröhnend wie aus Abgründen Die Frau wirft keinen Schatten, der Kaiser muss versteinen! Die Statue verdunkelt sich wie Blei. Vor ihren Füssen hebt sich wie früher das goldene Wasser leuchtend empor. EINE STIMME von oben Sprich aus Ich will! Und jenes Weibes Schatten wird dein! Und dieser stehet auf und wird lebendig und geht mit dir! Und des zum Zeichen neige dich und trink! KAISERIN in furchtbarem Kampfe auf dem Boden liegend, gesprochen Versuch mich nicht, Keikobad! Ich bin dein Kind! Lass mich sterben, eh ich erliege! DIE STIMME BARAKS Nirgend Hilfe! DIE STIMME DER FRAU Wehe, sterben! Die KAISERIN erhebt sich auf die Knie, ihren Lippen entringt sich ein qualvoller, stöhnender Schrei, in dessen Intervallen die Worte – Ich – will – nicht! – hörbar sind. – Sogleich, wie diese Worte hörbar werden, sinkt das Wasser hinab, der Raum, nach einer kurzen Dunkelheit, erhellt sich von oben. – Von der Kaiserin, die sich wie unbewusst vom Boden erhoben hat, fällt ein scharfer Schatten quer über den Boden des Raumes. – Der Kaiser erhebt sich von seinem Thron und schickt sich an, die Stufen hinabzusteigen. KAISER »Wenn das Herz aus Kristall zerbricht in einem Schrei, die Ungebornen eilen wie Sternenglanz herbei. Die Gattin blickt zum Gatten, ihr fällt ein irdischer Schatten von Hüfte, Haupt und Haar. Der Tote darf sich heben aus eignen Leibes Gruft – die Himmelsboten eilen hernieder aus der Luft!« So ward mir zugesungen, da ich im Sterben war. Nun darf ich wieder leben! Schon kommt die heil ge Schar mit Singen und mit Schweben – Das Licht von der Kuppel herab ist stärker und stärker geworden. Nun dringen, von oben her die Stimmen der Ungeborenen hernieder. STIMMEN DER UNGEBORENEN (EINZELNE) Hört, wir wollen sagen Vater! (ANDERE) Hört, wir wollen Mutter rufen! (EINIGE) Steiget auf! (ANDERE) Nein, kommt herunter! Zu uns führen alle Stufen! KAISERIN deutet nach oben Sind das die Cherubim, die ihre Stimmen heben? KAISER von der untersten Stufe Das sind die Nichtgeborenen, nun stürzen sie ins Leben mit morgenroten Flügeln zu uns, den fast Verlorenen; uns eilen diese Starken wie Sternenglanz herbei. Du hast dich überwunden. Nun geben Himmelsboten den Vater und die Kinder die Ungebornen frei! Sie haben uns gefunden, nun eilen sie herbei! Er ist von der untersten Stufe herabgestiegen. Die Kaiserin will ihm entgegen, deutet nach oben, von wo ein immer hellerer Schein herabdringt, ein silbernes Klingen dem Gesang der Ungeborenen präludiert, sie sinkt in die Knie. Der Kaiser, der Kaiserin gegenüber fällt gleichfalls auf die Knie. Die Ungeborenen fangen an zu singen. Die Kaiserin und der Kaiser bergen jedes ihr Gesicht in den Händen. DIE STIMMEN DER UNGEBORENEN von oben Hört, wir gebieten euch ringet und traget, dass unser Lebenstag herrlich uns taget! Was ihr an Prüfungen standhaft durchleidet, uns ist s zu strahlenden Kronen geschmeidet! Der Kaiser und die Kaiserin haben sich, mit Entzücken aufwärtsblickend, erhoben. KAISERIN indem ihre und des Kaisers Hände sich berühren Engel sind s, die von sich sagen! Ihre Stärke will uns tragen! Ungeboren, preisgegeben, ohne Anker, ohne Ziel! Wie sie rufend uns umschweben, bin ich, bin ich dir gegeben! KAISER Nirgend Ruhe, still zu liegen, nirgend Anker, nirgend Port, nichts ist da – nur aufzufliegen ist ein Ort an jedem Ort, wie sie rufend uns umschweben bist du, bist du mir gegeben! Sie halten einander umschlungen. Helles Gewölk umschliesst sie. Verwandlung Eine schöne Landschaft, steil aufsteigend, hebt sich heraus. Inmitten ein goldener Wasserfall, durch eine Kluft abstürzend. Kaiser und Kaiserin werden über dem Wasserfall sichtbar von der Höhe herabsteigend. FRAU von links auf schmalem Fusspfad Trifft mich sein Lieben nicht, treffe mich das Gericht, er mit dem Schwerte! eilt vor bis an den Abgrund BARAK auf der gegenüberliegenden Seite Steh nur, ich finde dich. Schützend umwinde dich, ewig Gefährte! Indem sie ihn gewahr wird, ihm die Arme entgegenstreckt, fällt ihr Schatten quer über den Abgrund. BARAK jubelt Schatten, dein Schatten, er trägt mich zu dir! FRAU Gattin zum Gatten! Einziger mir! DIE STIMMEN DER UNGEBORENEN Mutter, dein Schatten! Sieh, wie schön! Sieh deinen Gatten zu dir gehn! Im Augenblick fällt an Stelle des Schattens eine goldene Brücke quer über dem Abgrund.Barak und die Frau betreten die Brücke, liegen einander in den Armen.Der Kaiser und die Kaiserin sind oben dicht an den Rand des Absturzes herausgetreten. Sie wenden sich nach abwärts, die beiden anderen blicken zu ihnen empor. BARAK Nun will ich jubeln, wie keiner gejubelt, nun will ich schaffen, wie keiner geschafft, denn durch mich hin strecken sich Hände, blitzende Augen, kindische Münder, und ich zerschwelle vor heiliger Kraft! KAISER weist hinunter auf die beiden, weiter hinunter auf die Menschenwelt Nur aus der Ferne war es verworren bang, hör es nun ganz genau, menschlich ist dieser Klang! Rührende Laute – nimmst du sie ganz in dich, Brüder, Vertraute! CHOR unsichtbar, hineinjauchzend Brüder! Vertraute! KAISERIN und FRAU Schatten zu werfen, beide erwählt, beide in prüfenden Flammen gestählt. Schwelle des Todes nah, gemordet zu morden, seligen Kindern Mütter geworden! Schleier vorfallend, die Gestalten und die Landschaft einhüllend DIE STIMMEN DER UNGEBORENEN im Orchester Vater, dir drohet nichts, siehe, es schwindet schon, Mutter, das Ängstliche, das euch beirrte. Wäre denn je ein Fest, wären nicht insgeheim wir die Geladenen, wir auch die Wirte! (libretto Hugo von Hofmannsthal) この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@wagnerianchan Strauss,Richard/Die Frau ohne Schatten

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  A Global View of Instructional Technology for the 21st Century (Instructional Technology Series) Libraries Unlimited Inc?　Nick Eastmond?　 LibrariesUnlimitedInc?　NickEastmond?　ユーズドブック(洋書)-Engineering　Substores-UnknownASINs-36?　Subjects-Engineering-Reference?　 Subjects-Nonfiction-Education-Technology&DistanceLearning-Computers&Technology?　Subjects-Professional&Technical-Engineering-Reference?　 Subjects-Professional&Technical-Education-Technology&DistanceLearning-Computers&Technology?　Subjects-Science-General　Subjects-Science-Reference-Engineering? Glues, Brews, and Goos Recipes and Formulas for Almost Any Classroom Project Teacher Ideas Pr?　Diana F. 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Advances in Turbulence Studies (Progress in Astronautics and Aeronautics) Amer Inst of Aeronautics &?　Herman Branover?　Yeshajahu Unger?　 AmerInstofAeronautics&?　HermanBranover?　YeshajahuUnger?　ユーズドブック(洋書)-Engineering　ユーズドブック(洋書)-Outdoors&Nature　Subjects-Engineering-Aerospace-Aerodynamics?　Subjects-Engineering-Aerospace-Applied?　Subjects-Outdoors&Nature-Ecology-Rivers?　Subjects-Outdoors&Nature-Environment-Weather?　Subjects-Professional&Technical-Engineering-Aerospace-Aerodynamics?　Subjects-Professional&Technical-Engineering-Aerospace-Applied?　 Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Meteorology-General?　Subjects-Science-EarthSciences-Meteorology-General?　Subjects-Science-EarthSciences-Rivers?　Subjects-Science-EarthSciences-Weather?　Subjects-Science-General Metallurgical Technologies, Energy Conversion, and Magnetohydrodynamic Flows (Progress in Astronautics and Aeronautics) Amer Inst of Aeronautics &?　Herman Branover?　Yeshajahu Unger?　 AmerInstofAeronautics&?　HermanBranover?　YeshajahuUnger?　ユーズドブック(洋書)-Engineering　Subjects-Engineering-Aerospace-Aerodynamics?　Subjects-Engineering-Aerospace-Applied?　Subjects-Professional&Technical-Engineering-Aerospace-Aerodynamics?　Subjects-Professional&Technical-Engineering-Aerospace-Applied?　Subjects-Science-General　Subjects-Science-Astronomy-Aeronautics&Astronautics? Propagation of Intensive Laser Radiation in Clouds (Progress in Astronautics and Aeronautics) Amer Inst of Aeronautics &?　Oleg Volkovitsky?　Yuri Sedunov?　Leonid Semenov?　 AmerInstofAeronautics&?　OlegVolkovitsky?　YuriSedunov?　LeonidSemenov?　ユーズドブック(洋書)-Engineering　ユーズドブック(洋書)-Outdoors&Nature　Subjects-Engineering-SpecialTopics-AppliedAtmosphericSciences?　Subjects-Outdoors&Nature-Ecology-Rivers?　Subjects-Outdoors&Nature-Environment-Weather?　 Subjects-Professional&Technical-Engineering-SpecialTopics-AppliedAtmosphericSciences?　 Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Meteorology-General?　Subjects-Science-EarthSciences-Meteorology-General?　Subjects-Science-EarthSciences-Rivers?　Subjects-Science-EarthSciences-AtmosphericSciences-General?　Subjects-Science-EarthSciences-Weather?　Subjects-Science-General　Subjects-Science-Physics-Light-Lasers?　Subjects-Science-Physics-Optics?　Subjects-Science-Physics-QuantumTheory? Space Manufacturing Eight Energy and Materials from Speace, Proceedings of the 10th Conference on Space Manufacturing, 1992 Amer Inst of Aeronautics &?　 AmerInstofAeronautics&?　Substores-UnknownASINs-36?　Subjects-Science-General　Subjects-Science-Astronomy-Aeronautics&Astronautics? Orbital Debris Mitigation Techniques Technical, Economic, and Legal Aspects (Special Project Report, Sp-016-1992) Amer Inst of Aeronautics &?　Aiaa?　 AmerInstofAeronautics&?　Aiaa?　ユーズドブック(洋書)-Engineering　Substores-UnknownASINs-36?　Subjects-Engineering-General?　Subjects-Engineering-Reference?　Subjects-Professional&Technical-Engineering-Reference?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General　Subjects-Science-Technology-General&Reference　Subjects-Science-Astronomy-Aeronautics&Astronautics? Rotary Wing Structural Dynamics and Aeroelasticity (Aiaa Education Series) Amer Inst of Aeronautics &?　Richard L. Bielawa?　 AmerInstofAeronautics&?　RichardL.Bielawa?　ユーズドブック(洋書)-Engineering　Subjects-Engineering-Aerospace-Aerodynamics?　Subjects-Engineering-Aerospace-Applied?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-Aerospace-Aerodynamics?　Subjects-Professional&Technical-Engineering-Aerospace-Applied?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General　Subjects-Science-Astronomy-Aeronautics&Astronautics?　Subjects-Nonfiction-Transportation-Aviation-Helicopters? Space Transportation A Systems Approach to Analysis and Design (Aiaa Education Series) Amer Inst of Aeronautics &?　Walter Hammond?　 AmerInstofAeronautics&?　WalterHammond?　ユーズドブック(洋書)-Engineering　Subjects-Engineering-Aerospace?　Subjects-Professional&Technical-Engineering-Aerospace?　Subjects-Science-General　Subjects-Science-Astronomy-Aeronautics&Astronautics? Nonlinear Analysis of Shell Structures (Aiaa Education Series) Amer Inst of Aeronautics &?　Anthony N. Palazotto?　Scott T. Dennis?　 AmerInstofAeronautics&?　AnthonyN.Palazotto?　ScottT.Dennis?　ユーズドブック(洋書)-Engineering　Subjects-Engineering-Civil-General?　Subjects-Engineering-Civil-Structural?　Subjects-Professional&Technical-Engineering-Civil-General?　Subjects-Professional&Technical-Engineering-Civil-Structural?　Subjects-Science-General　Subjects-Science-Mathematics-Applied-General?　Subjects-Science-Mathematics-Applied-Engineering-General? Subjects-Science-General 洋書

• elvis @Wiki - Subjects-Professional&Technical-Engineering-General 596

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  Engineers at Work Houghton Mifflin?　C H Vesper?　 HoughtonMifflin?　CHVesper?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Engineering Fluid Mechanics Houghton Mifflin?　John A Roberson?　Clayton T Crowe?　 HoughtonMifflin?　JohnARoberson?　ClaytonTCrowe?　ジャンル別?　Subjects-Engineering-General?　Subjects-Engineering-Mechanical-FluidMechanics?　 Subjects-Professional&Technical-Engineering-Mechanical-FluidMechanics?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-Physics-FluidMechanics? Engineering Materials and Their Applications Houghton Mifflin?　Richard A Flinn?　Paul K Trojan?　 HoughtonMifflin?　RichardAFlinn?　PaulKTrojan?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Engineering Houghton Mifflin?　George E Morris?　 HoughtonMifflin?　GeorgeEMorris?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Mechanics of Materials Houghton Mifflin?　E E, etc. Hornsey?　 HoughtonMifflin?　EE,etc.Hornsey?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Modeling and Analysis of Dynamic Systems Houghton Mifflin?　Charles M. Close?　Dean K. Frederick?　 HoughtonMifflin?　CharlesM.Close?　DeanK.Frederick?　ジャンル別?　Subjects-Computers&Internet-ComputerScience-SystemsAnalysis&Design?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Engineering Houghton Mifflin?　W J Gajda?　William E Biles?　 HoughtonMifflin?　WJGajda?　WilliamEBiles?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Kill Devil Hill The Epic of the Wright Brothers, 1900-1909 Houghton Mifflin (T)?　Harry Combs?　 HoughtonMifflin(T)?　HarryCombs?　ジャンル別?　Subjects-Biographies&Memoirs-General?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Where Did That Chemical Go A Practical Guide to Chemical Fate and Transport in the Environment Van Nostrand Reinhold?　Ronald E., Ph.D. Ney?　 VanNostrandReinhold?　RonaldE.,Ph.D.Ney?　ジャンル別?　Substores-UnknownASINs-11?　Subjects-Engineering-Civil-Environmental-General　Subjects-Engineering-Civil-Environmental-Pollution-General?　Subjects-Engineering-Civil-Environmental-Pollution-Air?　Subjects-Engineering-General?　Subjects-Outdoors&Nature-Environment-EnvironmentalScience　 Subjects-Professional&Technical-Engineering-Civil-Environmental-General　 Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-General?　 Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience?　Subjects-Science-EarthSciences-EnvironmentalScience　Subjects-Science-General Engineering Materials and Their Applications Houghton Mifflin?　Richard A Flinn?　Paul K Trojan?　 HoughtonMifflin?　RichardAFlinn?　PaulKTrojan?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Plane Talk Aviators' and Astronauts' Own Stories Houghton Mifflin (Juv)?　Carl R. Oliver?　 HoughtonMifflin(Juv)?　CarlR.Oliver?　ジャンル別?　Subjects-Biographies&Memoirs-Professionals&Academics-Astronauts?　Subjects-Children sBooks-Ages9-12-General?　Subjects-Engineering-General?　Subjects-Engineering-Aerospace-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Professional&Technical-Engineering-Aerospace-General? Field Guide to Airplanes Houghton Mifflin?　M.R. Montgomery?　Gerald L. Foster?　 HoughtonMifflin?　M.R.Montgomery?　GeraldL.Foster?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Transportation-Aviation-General?　Subjects-Professional&Technical-Engineering-General Stormy Genius The Life of Aviation's Maverick Bill Lear Houghton Mifflin (T)?　Richard L. Rashke?　 HoughtonMifflin(T)?　RichardL.Rashke?　ジャンル別?　Subjects-Biographies&Memoirs-General?　Subjects-Engineering-General?　Subjects-Engineering-Aerospace-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Professional&Technical-Engineering-Aerospace-General? Engineering Materials and Their Applications Houghton Mifflin?　Richard A Flinn?　Paul K Trojan?　 HoughtonMifflin?　RichardAFlinn?　PaulKTrojan?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Engineering Fluid Mechanics Houghton Mifflin?　John A Roberson?　Clayton T Crowe?　 HoughtonMifflin?　JohnARoberson?　ClaytonTCrowe?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science? Hydraulic Engineering John Wiley and Sons Ltd?　John A. Roberson?　John J. Cassidy?　M.Hanif Chaudhry?　 JohnWileyandSonsLtd?　JohnA.Roberson?　JohnJ.Cassidy?　M.HanifChaudhry?　ジャンル別?　Subjects-Engineering-Civil-Environmental-Hydraulics?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-Civil-Environmental-Hydraulics?　Subjects-Professional&Technical-Engineering-General Engineering Fluid Mechanics Houghton Mifflin?　John A. Roberson?　Clayton T. Crowe?　 HoughtonMifflin?　JohnA.Roberson?　ClaytonT.Crowe?　ジャンル別?　Subjects-Engineering-General?　Subjects-Engineering-Mechanical-FluidMechanics?　 Subjects-Professional&Technical-Engineering-Mechanical-FluidMechanics?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-Physics-Dynamics-FluidDynamics?　Subjects-Science-Physics-FluidMechanics? Engineering Materials and Their Applications John Wiley and Sons Ltd?　Richard A. Flinn?　Paul K. Trojan?　 JohnWileyandSonsLtd?　RichardA.Flinn?　PaulK.Trojan?　ジャンル別?　Substores-UnknownASINs-10?　Subjects-Engineering-General?　Subjects-Engineering-MaterialsScience-General?　Subjects-Engineering-Mechanical-General?　Subjects-Professional&Technical-Engineering-MaterialsScience-General?　Subjects-Professional&Technical-Engineering-Mechanical-General?　Subjects-Professional&Technical-Engineering-General Modeling and Analysis of Dynamic Systems Houghton Mifflin College Div?　Charles M. Close?　 HoughtonMifflinCollegeDiv?　CharlesM.Close?　ジャンル別?　 Subjects-Computers&Internet-Software-Design&Development-SoftwareDesign?　Subjects-Computers&Internet-ComputerScience-SystemsAnalysis&Design?　Subjects-Computers&Internet-General?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-Physics-Dynamics-General? Field Guide to Airplanes of North America (Field Guide) Houghton Mifflin (P)?　M. R. Montgomery?　Gerald L. Foster?　 HoughtonMifflin(P)?　M.R.Montgomery?　GeraldL.Foster?　ジャンル別?　Subjects-Engineering-Aerospace?　Subjects-Engineering-General?　Subjects-Nonfiction-Transportation-Aviation-General?　Subjects-Nonfiction-Transportation-General?　Subjects-Nonfiction-Transportation-Reference?　Subjects-Professional&Technical-Engineering-Aerospace?　Subjects-Professional&Technical-Engineering-General Engineering Fluid Mechanics John Wiley & Sons Inc?　John A. Roberson?　Clayton, T. Crowe?　 JohnWiley&SonsInc?　JohnA.Roberson?　Clayton,T.Crowe?　ジャンル別?　Subjects-Engineering-General?　Subjects-Engineering-Mechanical-FluidMechanics?　 Subjects-Professional&Technical-Engineering-Mechanical-FluidMechanics?　Subjects-Professional&Technical-Engineering-General　Subjects-Reference-General?　Subjects-Science-Physics-Dynamics-FluidDynamics?　Subjects-Science-Physics-FluidMechanics? Modeling and Analysis of Dynamic Systems John Wiley and Sons Ltd?　Charles M. Close?　Dean K. Frederick?　 JohnWileyandSonsLtd?　CharlesM.Close?　DeanK.Frederick?　ジャンル別?　Subjects-Engineering-Civil-Structural?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-Civil-Structural?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-Mathematics-Applied-General?　 ByPublisher-JohnWiley&Sons-JohnWileyArchitectureStore-BuildingDesign&Technology-Structures? Lost Moon The Perilous Voyage of Apollo 13 Houghton Mifflin (T)?　Jim Lovell?　Kluger Jeffrey?　 HoughtonMifflin(T)?　JimLovell?　KlugerJeffrey?　ジャンル別?　Substores-UnknownASINs-10?　Subjects-Engineering-General?　Subjects-Entertainment-Movies-Screenplays?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-History&Philosophy-HistoryofScience?　Subjects-Science-Astronomy-Aeronautics&Astronautics? A Field Guide to Trains of North America (Peterson Field Guide Series) Houghton Mifflin (P)?　Gerald L. Foster?　 HoughtonMifflin(P)?　GeraldL.Foster?　ジャンル別?　Subjects-Engineering-Civil-Transportation&Highway?　Subjects-Engineering-General?　Subjects-Nonfiction-Transportation-Railroads-General?　Subjects-Nonfiction-Transportation-Reference?　 Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway?　Subjects-Professional&Technical-Engineering-General　Subjects-Reference-General? Firefighting Behind the Scenes Houghton Mifflin (Juv)?　Maria Mudd-Ruth?　Scott Sroka?　 HoughtonMifflin(Juv)?　MariaMudd-Ruth?　ScottSroka?　ジャンル別?　Subjects-Children sBooks-Ages4-8-General?　Subjects-Children sBooks-People&Places-Careers?　Subjects-Children sBooks-People&Places-Action&Adventure?　Subjects-Children sBooks-Obsessions-Firefighting?　Subjects-Engineering-Civil-Construction-BuildingConstruction?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction?　Subjects-Professional&Technical-Engineering-General Practical English Workbook Houghton Mifflin College Div?　Floyd C. Watkins?　William B. Dillingham?　John T. Hiers?　Matthew G. Hearn?　 HoughtonMifflinCollegeDiv?　FloydC.Watkins?　WilliamB.Dillingham?　JohnT.Hiers?　MatthewG.Hearn?　ジャンル別?　Subjects-Engineering-General?　 Subjects-Nonfiction-Education-LanguageInstruction-Instruction-Miscellaneous?　Subjects-Professional&Technical-Engineering-General　Subjects-Reference-ForeignLanguages-Instruction-Miscellaneous?　Subjects-Reference-General? One Giant Leap The Story of Neil Armstrong Houghton Mifflin (Juv)?　Don Brown?　 HoughtonMifflin(Juv)?　DonBrown?　ジャンル別?　Subjects-Children sBooks-Ages4-8-General?　 Subjects-Children sBooks-People&Places-Biographies-Science&Technology?　 Subjects-Children sBooks-Science,Nature&HowItWorks-Astronomy&Space-Aeronautics&Space?　 Subjects-Children sBooks-Science,Nature&HowItWorks-Inventions&Inventors?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Wings of Mystery True Stories of Aviation History Dodd Mead?　Dale Milton Titler?　 DoddMead?　DaleMiltonTitler?　ジャンル別?　Substores-UnknownASINs-10?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General How to Fix Up Old Cars Dodd Mead?　Leroi Smith?　 DoddMead?　LeroiSmith?　ジャンル別?　Substores-UnknownASINs-10?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General The State-Of-The-Art Robot Catalog Dodd Mead?　Phil Berger?　 DoddMead?　PhilBerger?　ジャンル別?　Subjects-Engineering-ComputerTechnology-Robotics&Automation?　Subjects-Engineering-General?　Subjects-Engineering-Mechanical-Automation?　Subjects-Engineering-Mechanical-General?　 Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation?　Subjects-Professional&Technical-Engineering-Mechanical-Automation?　Subjects-Professional&Technical-Engineering-Mechanical-General?　Subjects-Professional&Technical-Engineering-General Women of the Air Dodd Mead?　Judy Lomax?　 DoddMead?　JudyLomax?　ジャンル別?　Subjects-Biographies&Memoirs-General?　Subjects-Biographies&Memoirs-SpecificGroups-Women?　Subjects-Engineering-General?　 Subjects-Nonfiction-Transportation-Aviation-Piloting&FlightInstruction?　Subjects-Professional&Technical-Engineering-General Smith's Reference and Illustrated Guide to Surgical Instruments Lippincott Williams & Wilkins?　E. J. Smith?　 LippincottWilliams&Wilkins?　E.J.Smith?　ジャンル別?　Substores-UnknownASINs-10?　Subjects-Engineering-General?　Subjects-Medicine-Specialties-Surgery-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-Medicine-Specialties-Surgery-General? Respiratory Care Equipment Lippincott Williams & Wilkins?　Richard D. Branson?　Dean R. Hess?　Robert L. Chatburn?　 LippincottWilliams&Wilkins?　RichardD.Branson?　DeanR.Hess?　RobertL.Chatburn?　ジャンル別?　Subjects-Engineering-General?　Subjects-Medicine-InternalMedicine?　Subjects-Medicine-AlliedHealthProfessions-MedicalAssistants?　Subjects-Medicine-AlliedHealthProfessions-MedicalTechnology?　Subjects-Medicine-AlliedHealthProfessions-RespiratoryTherapy?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-Medical-AlliedHealthProfessions-MedicalAssistants?　 Subjects-Professional&Technical-Medical-AlliedHealthProfessions-MedicalTechnology?　 Subjects-Professional&Technical-Medical-AlliedHealthProfessions-RespiratoryTherapy?　 Subjects-Professional&Technical-Medical-Medicine-Reference-Instruments&Supplies?　Subjects-Science-Medicine-InternalMedicine?　Subjects-Science-Medicine-AlliedHealthProfessions-MedicalAssistants?　Subjects-Science-Medicine-AlliedHealthProfessions-MedicalTechnology?　Subjects-Science-Medicine-AlliedHealthProfessions-RespiratoryTherapy? The Mechanics of Vehicle Collisions. Charles C Thomas Pub Ltd?　Haim Reizes?　 CharlesCThomasPubLtd?　HaimReizes?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Automotive-Traffic&Safety?　Subjects-Professional&Technical-Engineering-General X-Ray Repair A Comprehensive Guide to the Installation and Servicing of Radiographic Equipment Charles C Thomas Pub Ltd?　Joseph J. Panichello?　 CharlesCThomasPubLtd?　JosephJ.Panichello?　ジャンル別?　Subjects-Business&Investing-Careers-General?　Subjects-Engineering-General?　Subjects-Medicine-General?　Subjects-Medicine-InternalMedicine?　Subjects-Medicine-AlliedHealthProfessions-MedicalTechnology?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-Medical-AlliedHealthProfessions-MedicalTechnology?　 Subjects-Professional&Technical-Medical-Medicine-Reference-Instruments&Supplies?　Subjects-Reference-Careers-General?　Subjects-Science-General　Subjects-Science-Medicine-General?　Subjects-Science-Medicine-InternalMedicine?　Subjects-Science-Medicine-AlliedHealthProfessions-MedicalTechnology? The World of Model Aircraft Book Sales?　Guy R. Williams?　 BookSales?　GuyR.Williams?　ジャンル別?　Substores-UnknownASINs-10?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General The World of Model Cars Book Sales?　Guy R. Williams?　 BookSales?　GuyR.Williams?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Transportation-General?　Subjects-Professional&Technical-Engineering-General The Way of the Explorer An Apollo Astronaut's Journey Through the Material and Mystical Worlds Putnam Pub Group (T)?　Edgar Mitchell?　Dwight Arnan Williams?　 PutnamPubGroup(T)?　EdgarMitchell?　DwightArnanWilliams?　ジャンル別?　Subjects-Biographies&Memoirs-General?　Subjects-Biographies&Memoirs-Historical-UnitedStates-General?　Subjects-Biographies&Memoirs-Professionals&Academics-Astronauts?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Religion&Spirituality-NewAge?　Subjects-Religion&Spirituality-ReligiousStudies-Science&Religion?　Subjects-Science-Astronomy-Aeronautics&Astronautics? Lindbergh Putnam Pub Group (T)?　A. Scott Berg?　 PutnamPubGroup(T)?　A.ScottBerg?　ジャンル別?　Subjects-Biographies&Memoirs-General?　Subjects-Biographies&Memoirs-Historical-General?　Subjects-Biographies&Memoirs-Historical-UnitedStates-General?　Subjects-Biographies&Memoirs-Professionals&Academics-Scientists?　Subjects-Biographies&Memoirs-People,A-Z-(L)-Lindbergh,Charles?　Subjects-Engineering-General?　Subjects-Engineering-Aerospace-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Professional&Technical-Engineering-Aerospace-General? The Fast Track to the Top Jobs in Engineering Careers Putnam Pub Group (T)?　Peter Muller?　 PutnamPubGroup(T)?　PeterMuller?　ジャンル別?　Substores-UnknownASINs-10?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General How to Make Your Car Last Almost Forever Perigee?　Jack Gillis?　 Perigee?　JackGillis?　ジャンル別?　Substores-UnknownASINs-10?　Subjects-Engineering-General?　Subjects-Nonfiction-Automotive-Repair?　Subjects-Professional&Technical-Engineering-General Greg Lemond's Pocket Guide to Bicycle Maintenance and Repair (A Perigee Book) Perigee?　Greg Lemond?　 Perigee?　GregLemond?　ジャンル別?　Substores-UnknownASINs-10?　Subjects-Engineering-General?　Subjects-Nonfiction-Automotive-Repair?　Subjects-Outdoors&Nature-OutdoorRecreation-Cycling-BikeRepair?　Subjects-Outdoors&Nature-OutdoorRecreation-Cycling-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Sports-IndividualSports-Cycling-BikeRepair?　Subjects-Sports-IndividualSports-Cycling-General?　Subjects-Sports-General? Car Tips for Clean Air How to Drive and Maintain Your Car to Cut Pollution and Save Money Perigee?　Robert Sikorsky?　 Perigee?　RobertSikorsky?　ジャンル別?　Substores-UnknownASINs-10?　Subjects-Engineering-Civil-Environmental-Pollution-Air?　Subjects-Engineering-General?　Subjects-Outdoors&Nature-Environment-EnvironmentalScience　 Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience?　Subjects-Science-EarthSciences-EnvironmentalScience　Subjects-Nonfiction-Automotive-Repair-General? How to Save Big Money When You Lease a Car Perigee?　Michael Flinn?　 Perigee?　MichaelFlinn?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Automotive-General?　Subjects-Nonfiction-Automotive-Buying&Leasing?　Subjects-Professional&Technical-Engineering-General　Subjects-Reference-ConsumerGuides?　Subjects-Reference-General? Always Another Dawn The Story of a Rocket Test Pilot Ayer Co Pub?　A. Scott Crossfield?　Clay Blair?　 AyerCoPub?　A.ScottCrossfield?　ClayBlair?　ジャンル別?　Substores-UnknownASINs-10?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Flying Dutchman; The Life of Anthony Fokker The Life of Anthony Fokker (Literature and History of Aviation) Ayer Co Pub?　Anthony Herman Gerard Fokker?　Bruce Gould?　 AyerCoPub?　AnthonyHermanGerardFokker?　BruceGould?　ジャンル別?　Subjects-Biographies&Memoirs-General?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General No Echo in the Sky (Literature and History of Aviation) Ayer Co Pub?　Harald Penrose?　 AyerCoPub?　HaraldPenrose?　ジャンル別?　Subjects-Biographies&Memoirs-General?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General The Amazing Mr. Doolittle; A Biography of Lieutenant General James H. Doolittle. Ayer Co Pub?　Quentin James Reynolds?　 AyerCoPub?　QuentinJamesReynolds?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General　Substores-UnknownASINs-jp-unknown1? Old Soggy No 1 The Uninhibited Story of Slats Rodgers (Literature and History of Aviation) Ayer Co Pub?　Hart Stilwell?　Slats Rodgers?　 AyerCoPub?　HartStilwell?　SlatsRodgers?　ジャンル別?　Subjects-Biographies&Memoirs-General?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Through the Air Ayer Co Pub?　John Wise?　 AyerCoPub?　JohnWise?　ジャンル別?　Substores-UnknownASINs-10?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-General 洋書

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  Sums of Squares of Integers (Discrete Mathematics and Its Applications) Crc Pr I Llc?　Carlos J. Moreno?　Samuel S., Jr. Wagstaff?　 CrcPrILlc?　CarlosJ.Moreno?　SamuelS.,Jr.Wagstaff?　ジャンル別?　 Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-NumberTheory?　Subjects-Science-General　Subjects-Science-Mathematics-General?　Subjects-Science-Mathematics-PureMathematics-NumberTheory?　Subjects-Science-Technology-General&Reference Statistical Analysis of Medical Data Using SAS Crc Pr I Llc?　Geoff Der?　Brian S. Everitt?　 CrcPrILlc?　GeoffDer?　BrianS.Everitt?　ジャンル別?　ユーズドブック(洋書)-Medicine?　Subjects-Medicine-Specialties-Family&GeneralPractice?　 Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-FamilyPractice?　 Subjects-Professional&Technical-Medical-Medicine-Reference-Instruments&Supplies?　 Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics?　Subjects-Science-General　Subjects-Science-Mathematics-Applied-Probability&Statistics?　Subjects-Science-Technology-General&Reference　Subjects-Science-Medicine-Specialties-Family&GeneralPractice? Heroes (Discovering Mythology) Lucent Books?　Don Nardo?　 LucentBooks?　DonNardo?　ジャンル別?　ユーズドブック(洋書)-Mystery&Thrillers?　ユーズドブック(洋書)-Religion&Spirituality?　Subjects-Children sBooks-Ages9-12-General?　Subjects-Children sBooks-People&Places-Biographies-General?　Subjects-Children sBooks-Science,Nature&HowItWorks-Health-General?　Subjects-Mystery&Thrillers-General?　Subjects-Mystery&Thrillers-Mystery-General?　Subjects-Religion&Spirituality-ReligiousStudies-ComparativeReligion?　Subjects-Science-Technology-General&Reference Hurricanes (Natural Disasters) Lucent Books?　Kris Hirschmann?　 LucentBooks?　KrisHirschmann?　ジャンル別?　ユーズドブック(洋書)-Outdoors&Nature　Subjects-Children sBooks-Ages9-12-General?　 Subjects-Children sBooks-Science,Nature&HowItWorks-Nature-Weather-Nonfiction?　Subjects-Outdoors&Nature-Ecology-Rivers?　Subjects-Outdoors&Nature-Environment-Weather?　Subjects-Science-EarthSciences-Geology-General?　Subjects-Science-EarthSciences-Rivers?　Subjects-Science-EarthSciences-AtmosphericSciences-Hurricanes?　Subjects-Science-EarthSciences-AtmosphericSciences-Tornadoes?　Subjects-Science-EarthSciences-Weather?　Subjects-Science-Physics-General?　Subjects-Science-Technology-General&Reference Quantitative Finance Object-oriented Approach in C++ (Chapman Hall/CRC Financial Mathematics) Chapman & Hall?　Erik Schlogl?　 Chapman&Hall?　ErikSchlogl?　ジャンル別?　Subjects-Business&Investing-Finance-Finance&Investing?　Subjects-Professional&Technical-Accounting&Finance-Finance-General?　 Subjects-Professional&Technical-Accounting&Finance-Finance-Finance&Investing?　 Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics?　Subjects-Science-General　Subjects-Science-Mathematics-General?　Subjects-Science-Mathematics-Applied-Probability&Statistics?　Subjects-Science-Technology-General&Reference Nonlinear Analysis (Series in Mathematical Analysis and Applications) Crc Pr I Llc?　Leszek Gasinski?　Nikolaos Socrates Papageorgiou?　 CrcPrILlc?　LeszekGasinski?　NikolaosSocratesPapageorgiou?　ジャンル別?　Subjects-Engineering-Aerospace-AdvancedMechanics?　Subjects-Engineering-Civil-Mechanics?　Subjects-Engineering-Mechanical-General?　Subjects-Professional&Technical-Engineering-Civil-Mechanics?　 Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics?　Subjects-Professional&Technical-Engineering-Mechanical-General?　 Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Calculus?　 Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-FunctionalAnalysis?　Subjects-Science-General　Subjects-Science-Mathematics-General?　Subjects-Science-Mathematics-Reference?　Subjects-Science-Mathematics-PureMathematics-FunctionalAnalysis?　Subjects-Science-Mathematics-PureMathematics-Calculus?　Subjects-Science-Technology-General&Reference Breast Cancer (Diseases and Disorders) Lucent Books?　Don Nardo?　 LucentBooks?　DonNardo?　ジャンル別?　ユーズドブック(洋書)-Health,Mind&Body?　ユーズドブック(洋書)-Medicine?　ユーズドブック(洋書)-Teens?　 Subjects-Children sBooks-Science,Nature&HowItWorks-Health-Diseases-Nonfiction?　Subjects-Children sBooks-Science,Nature&HowItWorks-Health-General?　Subjects-Health,Mind&Body-PersonalHealth-Women sHealth-BreastCancer?　Subjects-Health,Mind&Body-PersonalHealth-Aging-Cancer-General?　Subjects-Medicine-General?　Subjects-Science-Technology-General&Reference　Subjects-Science-Medicine-General?　Subjects-Teens-Science&Technology-General? Advanced University Physics Crc Pr I Llc?　Mircea S. Rogalski?　Stuart B. Palmer?　 CrcPrILlc?　MirceaS.Rogalski?　StuartB.Palmer?　ジャンル別?　Subjects-Professional&Technical-ProfessionalScience-Physics-General?　Subjects-Science-General　Subjects-Science-Mathematics?　Subjects-Science-Physics-General?　Subjects-Science-Technology-General&Reference Elliptic Theory on Singular Manifolds (Differential and Integral Equations and Their Applications) Crc Pr I Llc?　Vladimir E. Nazaikinskii?　Anton Yu Savin?　Bert-Wolfgang Schulze?　Boris Yu Sternin?　 CrcPrILlc?　VladimirE.Nazaikinskii?　AntonYuSavin?　Bert-WolfgangSchulze?　BorisYuSternin?　ジャンル別?　 Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-DifferentialEquations?　 Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Calculus?　Subjects-Science-General　Subjects-Science-Mathematics-General?　Subjects-Science-Mathematics-Reference?　Subjects-Science-Mathematics-PureMathematics-Calculus?　Subjects-Science-Mathematics-Applied-DifferentialEquations?　Subjects-Science-Technology-General&Reference Exactly Solvable Models of Biological Invasion (Mathematical Biology and Medicine) Crc Pr I Llc?　Sergei V. Petrovskii?　Bai-lian Li?　 CrcPrILlc?　SergeiV.Petrovskii?　Bai-lianLi?　ジャンル別?　Subjects-Engineering-Chemical-General?　Subjects-Professional&Technical-Engineering-Chemical-General?　 Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology?　 Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General?　 Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics?　Subjects-Science-Chemistry-ChemicalEngineering?　Subjects-Science-EarthSciences-Ecology-General?　Subjects-Science-General　Subjects-Science-Mathematics-General?　Subjects-Science-Mathematics-Reference?　Subjects-Science-Mathematics-Applied-General?　Subjects-Science-Mathematics-Applied-Probability&Statistics?　Subjects-Science-Technology-General&Reference Introduction to Fuzzy Systems (Chapman Hall/Crc Mathematics and Nonlinear Science) Crc Pr I Llc?　Guanrong Chen?　Trung Tat Pham?　 CrcPrILlc?　GuanrongChen?　TrungTatPham?　ジャンル別?　Subjects-Engineering-Electrical&Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Science-General　Subjects-Science-Mathematics-General?　Subjects-Science-Technology-General&Reference Sleep Disorders (Diseases and Disorders) Lucent Books?　Gail Stewart?　 LucentBooks?　GailStewart?　ジャンル別?　ユーズドブック(洋書)-Medicine?　ユーズドブック(洋書)-Teens?　 Subjects-Children sBooks-Science,Nature&HowItWorks-Health-Diseases-Nonfiction?　Subjects-Children sBooks-Science,Nature&HowItWorks-Health-General?　Subjects-Medicine-InternalMedicine-Neurology-SleepDisorders?　 Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Neurology-SleepDisorders?　Subjects-Science-General　Subjects-Science-Technology-General&Reference　Subjects-Science-Medicine-InternalMedicine-Neurology-SleepDisorders?　Subjects-Teens-Science&Technology-General?　Substores-UnknownASINs-jp-unknown2? American Indian Inventions Ceshore Pub Co?　P. F. Ceaton?　J. C. High Eagle?　 CeshorePubCo?　P.F.Ceaton?　J.C.HighEagle?　ジャンル別?　Subjects-History-Americas-NativeAmerican-General?　Subjects-Reference-General?　Subjects-Science-Technology-General&Reference Parametric Modeling With I-Deas 9 Schroff Development Corp?　Randy H. Shih?　 SchroffDevelopmentCorp?　RandyH.Shih?　ジャンル別?　Subjects-Computers&Internet-General?　Subjects-Science-Technology-General&Reference Finite Element Analysis Tutorial Using Algor, Version 14 Schroff Development Corp?　Jack Zecher?　 SchroffDevelopmentCorp?　JackZecher?　ジャンル別?　Substores-UnknownASINs-64?　Subjects-Computers&Internet-GraphicDesign-DesktopPublishing-General?　Subjects-Science-Technology-General&Reference 2002 Eosd Symposium Proceedings Eos/Esd Assn?　Eos?　 Eos/EsdAssn?　Eos?　ジャンル別?　Subjects-Science-General　Subjects-Science-Technology-General&Reference The Patent Files Dispatches from the Frontiers of Invention Lyons Pr?　David Lindsay?　 LyonsPr?　DavidLindsay?　ジャンル別?　Subjects-Nonfiction-Philosophy-Science?　Subjects-Science-General　Subjects-Science-History&Philosophy-General?　Subjects-Science-History&Philosophy-HistoryofScience?　Subjects-Science-History&Philosophy-HistoryofTechnology?　Subjects-Science-Technology-General&Reference　Subjects-Science-Essays&Commentary? House of Invention The Secret Life of Everyday Products Lyons Pr?　David Lindsay?　 LyonsPr?　DavidLindsay?　ジャンル別?　ユーズドブック(洋書)-Home&Garden?　Subjects-Health,Mind&Body-General?　Subjects-Home&Garden-How-to&HomeImprovements?　Subjects-Nonfiction-Education-Reference-FunFacts-Curiosities&Wonders?　Subjects-Reference-FunFacts-Curiosities&Wonders?　Subjects-Reference-General?　Subjects-Science-General　Subjects-Science-Technology-General&Reference　Substores-UnknownASINs-jp-unknown3? How to Go from Brainstorm to Bingo Leathers Pub?　Chick Charles?　 LeathersPub?　ChickCharles?　ジャンル別?　Subjects-Business&Investing-General?　 Subjects-Business&Investing-SmallBusiness&Entrepreneurship-NewBusinessEnterprises?　Subjects-Science-Technology-General&Reference The Role of Government and Research Institutes in the Planning of Research and Development in Some Central Asian and Caucasian Republics (Nato Science Series Science Technology Policy, 4) Ios Pr Inc?　Kazakhstan) NATO Advanced Research Workshop on the Role of Government and Research Institutes in the Planning of Research and Development in Some Central Asian and Caucasian Republics (1999 Almaty?　Guneri Akovali?　A. Z. Mansurov?　 IosPrInc?　 Kazakhstan)NATOAdvancedResearchWorkshopontheRoleofGovernmentandResearchInstitutesinthePlanningofResearchandDevelopmentinSomeCentralAsianandCaucasianRepublics(1999 Almaty?　GuneriAkovali?　A.Z.Mansurov?　ジャンル別?　Subjects-Business&Investing-Economics-EconomicPolicy&Development?　Subjects-Business&Investing-Management&Leadership-OperationsResearch?　 Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment?　Subjects-Nonfiction-Economics-EconomicPolicy&Development?　 Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development?　 Subjects-Professional&Technical-BusinessManagement-Management&Leadership-OperationsResearch?　Subjects-Science-General　Subjects-Science-Technology-General&Reference　Subjects-Science-Technology-Technology&PublicPolicy? Technology + Culture = Software Ios Pr Inc?　Paolo Rocchi?　 IosPrInc?　PaoloRocchi?　ジャンル別?　 Subjects-Computers&Internet-Software-Design&Development-SoftwareDesign?　 Subjects-Computers&Internet-Software-Design&Development-SoftwareDevelopment?　 Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems?　Subjects-Computers&Internet-Business&Culture-Culture?　Subjects-Computers&Internet-General?　 Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology?　 Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology?　Subjects-Science-Technology-General&Reference　Subjects-Science-Technology-Technology&Society? Government Laboratorieses Transition and Transformation (Science and Technology Policy, Vol. 34) Ios Pr Inc?　England) NATO Advanced Research Workshop on Reform of Government Scientific Research Laboratories (1999 Manchester?　Deborah Cox?　Philip Gummett?　Katharine Barker?　 IosPrInc?　 England)NATOAdvancedResearchWorkshoponReformofGovernmentScientificResearchLaboratories(1999 Manchester?　DeborahCox?　PhilipGummett?　KatharineBarker?　ジャンル別?　Subjects-Nonfiction-Government-PublicPolicy?　Subjects-Reference-Education-Research?　Subjects-Science-Education-Research?　 Subjects-Science-Experiments,Instruments&Measurement-Methodology&Statistics?　Subjects-Science-General　Subjects-Science-Technology-General&Reference The Mechanisms of Fast Reactions in Solution Ios Pr Inc?　E. F. Caldin?　 IosPrInc?　E.F.Caldin?　ジャンル別?　Substores-UnknownASINs-37?　Subjects-Science-Chemistry-Analytic?　Subjects-Science-General　Subjects-Science-Technology-General&Reference Utilizing Technology Transfer to Develop Small and Medium Enterprises (Nato Science Series. Partnership Sub-Series 4, Science and Technology Policy, V. 27,) Ios Pr Inc?　Eugenia Bulumac?　Richard A. Bendis?　 IosPrInc?　EugeniaBulumac?　RichardA.Bendis?　ジャンル別?　Substores-UnknownASINs-37?　Subjects-Business&Investing-Economics-International?　Subjects-Nonfiction-Economics-International?　 Subjects-Professional&Technical-Accounting&Finance-International-Economics?　Subjects-Science-General　Subjects-Science-Technology-General&Reference Novel Processes and Control Technologies In The Food Industry (Nato Science Series I Life and Behavioural Sciences) Ios Pr Inc?　Faruk Bozoglu?　Tibor Deak?　Bibek Ray?　 IosPrInc?　FarukBozoglu?　TiborDeak?　BibekRay?　ジャンル別?　Substores-UnknownASINs-37?　 Subjects-Business&Investing-Industries&Professions-Hospitality,Travel&Tourism?　Subjects-Science-General　Subjects-Science-Technology-General&Reference　Subjects-Science-AgriculturalSciences-FoodScience?　 Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-FoodSciences-General? Sixth Bienial Conference of the European Society for Engineering and Medicine Ios Pr Inc?　N. D. Black?　 IosPrInc?　N.D.Black?　ジャンル別?　ユーズドブック(洋書)-Medicine?　Substores-UnknownASINs-37?　Subjects-Engineering-Bioengineering-Biochemistry?　Subjects-Medicine-Specialties-Family&GeneralPractice?　Subjects-Medicine-Specialties-Radiology-DiagnosticImaging?　 Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry?　 Subjects-Professional&Technical-Medical-Medicine-Reference-Instruments&Supplies?　Subjects-Science-General　Subjects-Science-Technology-General&Reference　Subjects-Science-Medicine-Specialties-Family&GeneralPractice?　Subjects-Science-Medicine-Specialties-Radiology-DiagnosticImaging? Engineering Federated Information Systems Ios Pr Inc?　R. D. Kutsche?　 IosPrInc?　R.D.Kutsche?　ジャンル別?　Substores-UnknownASINs-37?　 Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General　Subjects-Science-Technology-General&Reference Overcoming Barriers to Technology Transfer and Business Commercialization in Central and Eastern Europe Solutions and Opportunities (Nato Science and Technology Policy, 36) Ios Pr Inc?　Richard A. Bendis?　Stefan T. Craciunoiu?　 IosPrInc?　RichardA.Bendis?　StefanT.Craciunoiu?　ジャンル別?　Subjects-Business&Investing?　Subjects-Nonfiction-Politics-General?　Subjects-Nonfiction-Politics-Globalization?　 Subjects-Nonfiction-SocialSciences-PoliticalScience-InternationalInstitutions?　Subjects-Science-Technology-General&Reference Prospects of Integration and Development of R d and the Innovation Potential of the Black Sea Economic Cooperation Countries (Nato Science and Technology Policy, 37) Ios Pr Inc?　Walter Leal Filho?　W. D. S. Leal Filho?　 IosPrInc?　WalterLealFilho?　W.D.S.LealFilho?　ジャンル別?　Subjects-Nonfiction-Politics-General?　Subjects-Nonfiction-Politics-Globalization?　 Subjects-Nonfiction-SocialSciences-PoliticalScience-InternationalInstitutions?　Subjects-Science-Technology-General&Reference Digital Preservation Ios Pr Inc?　Barry Mahon?　 IosPrInc?　BarryMahon?　ジャンル別?　Subjects-Computers&Internet-General?　Subjects-Science-Technology-General&Reference Assistive Technology-Shaping the Future (Assistive Technology Research) Ios Pr Inc?　Ger M. Craddock?　 IosPrInc?　GerM.Craddock?　ジャンル別?　ユーズドブック(洋書)-Law?　ユーズドブック(洋書)-Medicine?　Substores-UnknownASINs-64?　 Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management?　Subjects-Law-Specialties-Disability?　Subjects-Medicine-Specialties-PhysicalMedicine&Rehabilitation?　Subjects-Nonfiction-Law-Specialties-Disability?　 Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management?　 Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-PhysicalMedicine&Rehabilitation?　Subjects-Science-General　Subjects-Science-Technology-General&Reference　 Subjects-Science-Medicine-Specialties-PhysicalMedicine&Rehabilitation? Open Access to Scientific and Technical Information State of the Art and Future Trends; ICSTI/INIST/INSERM Seminar, 23-24 January 2003, Paris, France Ios Pr Inc?　Herbert Gruttemeier?　Barry Mahon?　 IosPrInc?　HerbertGruttemeier?　BarryMahon?　ジャンル別?　Subjects-Science-General　Subjects-Science-Technology-General&Reference Cheminformatics Developments History, Reviews and Current Research Ios Pr Inc?　Jan H. Noordik?　 IosPrInc?　JanH.Noordik?　ジャンル別?　Subjects-Computers&Internet?　 Subjects-Professional&Technical-ProfessionalScience-Chemistry-Clinical?　Subjects-Science-Chemistry-Clinical?　Subjects-Science-General　Subjects-Science-Technology-General&Reference Ambient Intelligence The Evolution Of Technology, Communication And Cognition Towards The Future Of Human-Computer Interaction (Emerging Communication Studies on New Technologies Practices in Communication) Ios Pr Inc?　G. Riva?　F. Vatalaro?　F. Davide?　M. Alcaniz?　 IosPrInc?　G.Riva?　F.Vatalaro?　F.Davide?　M.Alcaniz?　ジャンル別?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics?　Subjects-Computers&Internet-General?　Subjects-Science-General　Subjects-Science-Mathematics-General?　Subjects-Science-Technology-General&Reference Modernisation of Science Policy And Management Approaches in Central And South East Europe (NATO Science Series Science Technology Policy) Ios Pr Inc?　Edvard Kobal?　Slavo Radosevic?　 IosPrInc?　EdvardKobal?　SlavoRadosevic?　ジャンル別?　Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents?　Subjects-Business&Investing-Economics-Development&Growth?　Subjects-Business&Investing-Economics-EconomicPolicy&Development?　 Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment?　Subjects-Nonfiction-Economics-Development&Growth?　Subjects-Nonfiction-Economics-EconomicPolicy&Development?　 Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth?　 Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development?　Subjects-Science-General　Subjects-Science-Technology-General&Reference From Smart Homes to Smart Care Icost 2005 (Assistive Technology Research Series) Ios Pr Inc?　INTERNATIONAL CONFERENCE ON SMART HOMES?　Helene Pigot?　S. Giroux?　 IosPrInc?　INTERNATIONALCONFERENCEONSMARTHOMES?　HelenePigot?　S.Giroux?　ジャンル別?　ユーズドブック(洋書)-Law?　ユーズドブック(洋書)-Medicine?　ユーズドブック(洋書)-Parenting&Families?　Subjects-Law-Specialties-Disability?　Subjects-Medicine-Specialties-Geriatrics?　Subjects-Nonfiction-Law-Specialties-Disability?　Subjects-Parenting&Families-AgingParents-General?　Subjects-Science-Technology-General&Reference　Subjects-Science-Medicine-Specialties-Geriatrics? Advanced X-ray Techniques in Research And Industries Ios Pr Inc?　A. K. Singh?　 IosPrInc?　A.K.Singh?　ジャンル別?　Subjects-Engineering-ComputerTechnology-ImagingSystems?　 Subjects-Professional&Technical-Engineering-ComputerTechnology-ImagingSystems?　Subjects-Science-Chemistry-Analytic?　Subjects-Science-General　Subjects-Science-Technology-General&Reference Assistive Technology From Virtuality to Reality (Assistive Technology Research) Ios Pr Inc?　France) Aaate 200 (2005 Lille?　Alain Pruski?　Harry Knops?　 IosPrInc?　France)Aaate200(2005Lille?　AlainPruski?　HarryKnops?　ジャンル別?　Subjects-Law-Specialties-Disability?　Subjects-Medicine-Reference-General?　Subjects-Nonfiction-Law-Specialties-Disability?　Subjects-Professional&Technical-Medical-Medicine-Reference-General?　Subjects-Science-Reference-Medical-General?　Subjects-Science-Technology-General&Reference　Subjects-Science-Medicine-Reference-General? Stochasticity, Nonlinearity and Forecasting of Streamflow Processes Delft Univ Pr?　Wen Wang?　 DelftUnivPr?　WenWang?　ジャンル別?　Subjects-Science-General　Subjects-Science-Mathematics-General?　Subjects-Science-Technology-General&Reference Science and Technology Policies for the Anti-terrorism Era, Volume 51 NATO Science Series Science and Technology Policy (NATO Science Series Science Technology Policy) Ios Pr Inc?　A. James?　 IosPrInc?　A.James?　ジャンル別?　Subjects-History-Military-Weapons&Warfare?　Subjects-Nonfiction-Philosophy-Science?　Subjects-Nonfiction-Politics-General?　Subjects-Nonfiction-Politics-Freedom&Security-Terrorism?　Subjects-Science-General　Subjects-Science-History&Philosophy-General?　Subjects-Science-Technology-General&Reference Biwic 2006 13th International Workshop on Industrial Crystallization Ios Pr Inc?　P. J. Jansens?　J. H. Ter Horst?　S. Jiang?　 IosPrInc?　P.J.Jansens?　J.H.TerHorst?　S.Jiang?　ジャンル別?　Subjects-Science-Chemistry-Crystallography?　Subjects-Science-General　Subjects-Science-Technology-General&Reference Communicating Process Architectures 2006 (Concurrent Systems Engineering) Ios Pr Inc?　P. H. Welch?　J. Kerridge?　F. R. M. Barnes?　 IosPrInc?　P.H.Welch?　J.Kerridge?　F.R.M.Barnes?　ジャンル別?　 Subjects-Computers&Internet-Hardware-SystemArchitecture-ComputerDesign?　Subjects-Computers&Internet-General?　Subjects-Science-Technology-General&Reference Morphodynamics of Texel Inlet (Delft Hydraulics Select) Ios Pr Inc?　E. P. L. Elias?　 IosPrInc?　E.P.L.Elias?　ジャンル別?　 Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geography?　Subjects-Science-EarthSciences-Geography-General?　Subjects-Science-General　Subjects-Science-Technology-General&Reference Thermal and Structural Performance of Tow-placed, Variable Stiffness Panels (Dissertations in Artificial Intelligence) Ios Pr Inc?　K. C. Wu?　 IosPrInc?　K.C.Wu?　ジャンル別?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General?　Subjects-Computers&Internet-General?　Subjects-Engineering-General?　Subjects-Engineering-MaterialsScience-General?　Subjects-Professional&Technical-Engineering-MaterialsScience-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-Technology-General&Reference A Crowd of One The Future of Individual Identity Public Affairs?　John Henry Clippinger?　 PublicAffairs?　JohnHenryClippinger?　ジャンル別?　Subjects-Business&Investing-Economics-Theory?　Subjects-Health,Mind&Body-Psychology&Counseling-General?　 Subjects-Health,Mind&Body-Psychology&Counseling-SocialPsychology&Interactions?　Subjects-Nonfiction-SocialSciences-Sociology-General?　Subjects-Nonfiction-Economics-Theory?　Subjects-Professional&Technical-Accounting&Finance-Economics-Theory?　Subjects-Science-Technology-General&Reference Alcohol (Drug Education Library) Lucent Books?　Michael V. 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  Engineering Formulas Mcgraw-Hill?　Kurt Gieck?　Reiner Gieck?　 Mcgraw-Hill?　KurtGieck?　ReinerGieck?　ジャンル別?　Subjects-Engineering-General?　Subjects-Engineering-Reference?　Subjects-Professional&Technical-Engineering-Reference?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General?　Subjects-Science-General　Subjects-Science-Mathematics-Applied-General?　Subjects-Science-Reference-Engineering?　Subjects-Science-Technology-General&Reference How Electronic Things Work...and What to Do When They Don't (TAB Electronics Technical Library) Mcgraw-Hill?　Robert Goodman?　 Mcgraw-Hill?　RobertGoodman?　ジャンル別?　Substores-UnknownASINs-2?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General　Subjects-Science-Physics-Applied? 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• オペラ対訳プロジェクト - Offenbach,Jacques/La Grande-Duchesse de Gérolstein/I-2

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  第9場 【女大公殿下】 （ピュックに） 行かないで　先生 （ブンに） あなたもです　将軍 今から検討しましょう 作戦計画を 【ブン】 女大公殿下　それは素晴らしいですな 【女大公殿下】 期待していますよ さあ　あとでお話しましょう （ブンとピュックはテントに入って行く） ポール殿下！ ああ！ もう　彼は私にはもう 耐えられなくなってるのに　これまで以上に！ （右手からポール殿下登場　結婚衣装を着ている） 第10場 【ポール殿下】 （哀れな視線を向けて　女大公に） さて　女大公殿下 たぶん駄目なんでしょうな 今日も　また？ 【女大公殿下】 まあ　殿下 その衣装は何なの？ 【ポール殿下】 （満足げに） ああ！気づいて頂けましたか これは花婿のスーツです 私がこれを着てきたのは これであなたが決心してくれればと思って 【女大公殿下】 あなたと結婚するですって　今日？ それは不可能ですわ　愛しの殿下 多すぎるんですもの　やることが 軍事作戦も精査しなくちゃいけないし 私の軍隊が出発するんだから ちょっとは考えて！ 結婚する時間なんてありませんわ！ 【ポール殿下】 あなたはいつもできない理由ばかりだ 【女大公殿下】 みんな大事なことじゃない？ 【ポール殿下】 だけどもう六か月も前じゃないですか　あなたが 私に期待させる返事をくれてから！ 今朝もグロック男爵を 愛の使者にしたんですけど あなたはお望みにならなかったじゃないですか あなたに拝謁を認めることを 彼はぼくのパパからの手紙を持ってきたのに 【女大公殿下】 それであなたのパパは何て言ってるの　その手紙の中で？ 【ポール殿下】 言ってますよ　すっかりうんざりしてるって 半年前　私が去ったときに パパの宮廷を　あなたと結婚するためにここに来て 私はたくさん準備して貰いました　結納金を 自分がつり合いが取れるようにと 私の婚約者のレベルと 私はそのお金を食いつぶして あなたと結婚できなくなったんです そのことにうんざりしてるわけじゃなくて パパは望んでるんですよ 知りたいと　いったいどうなってるのか 【女大公殿下】 本当なの？ 【ポール殿下】 レディ！ そうですとも　だって 私があなたと結婚できないのなら パパは腹をくくって 私を結婚させようと思ってるんですよ 別の女大公と 【女大公殿下】 安心させてね　あなたのパパの選帝侯を この結婚ならいずれするつもりだから 【ポール殿下】 あなたはいつも私にそう言いますけど 私の結婚は発表されてるんですよ 世界中に 私を注目してるんですよ　世界が 鵜の目　鷹の目で 私がブザマなことになるのを 【女大公殿下】 つまり　世界が あなたを今注目してるってことね！ 【ポール殿下】 その上まだあるんですよ 私を更に過敏にすることが 【女大公殿下】 それって何です　一体？ 【ポール殿下】 （ポケットから新聞を取り出して） ご覧ください　女大公殿下 【女大公殿下】 それは何なの？ 【ポール殿下】 これは、オランダで発行された新聞ですよ 私のことを記事にしている 【女大公殿下】 読んで！ 【ポール殿下】 わかりましたよ　ええ みんなわざわざ噂するんです　私のことを 見かけるんですよ　しょっちゅう 自らを捧げてる連中の すべてのことをバラすというミッションのもと あることないこと書かれたものを 大衆を楽しませようと これは赤新聞といって 私生活にまで立ち入ってくるんですよ 実に怪物的です そしてさらに怪物的なのは 彼らがわざとしてくることなんです 私の私生活にまで入ってきて　私の！ ちょっと聞いてくださいよ （彼はオランダの新聞を読む） 「プリンセスとの結婚のため ポール殿下はやってきたが しかし　急ぎ行われる様子は見られない 結婚式は延期されているのだ！ 毎日　夜明けとなるころ ポール殿下は白い手袋をはめている 今日はどうだろう？いいや　また駄目だった そして殿下は手袋を脱ぐ ポール殿下は偉大な魂を持っているのだ 彼は苦しんでいる　だが沈黙している」 （顔を紅潮させ） こんな風に書かれてるんですよ　私のことが オランダの新聞に！ 【女大公殿下】 いつも信頼が置けるわね オランダの新聞は！ 【ポール殿下】 これで全部じゃないんです　女大公殿下 聞いてください　最後まで （続けて読む） 殿下はまるで火と炎のごとくであった この宮廷に着かれたときには 殿下は愛に燃えていたのだ 近づくことができて　未来の妻に だが彼はすっかり燃え尽きたようである 六か月もの求愛の末 もはやほとんど残っていないのだ 彼の炎の残り火は ポケットの中に婚約の書類はしまって ポール殿下は家に帰るが良いと思われる こんな風に書かれてるんですよ　私のことが オランダの新聞に！ 【女大公殿下】 いつも信頼が置けるわね オランダの新聞は！ （女大公殿下は心の底から笑う） 【ポール殿下】 ひどい！ 第11場 【フリッツ】 （大佐の格好で） さあ　これでどうです！ 【女大公殿下】 あら！けっこうイケるじゃない！ （ポール殿下に） 見て　殿下 教えてちょうだい　あなたどう思うか 【ポール殿下】 なかなかのナイスガイだな 【女大公殿下】 私たちの誇りじゃないかしら こんな男の方を指揮できるなんて （フリッツに） 大佐さん？ 【フリッツ】 女大公殿下？ 【女大公殿下】 （テントを指して） ここに入って　ブン大将と話すの それとピュック男爵と　待ってるわ 【フリッツ】 了解です　彼らと話しましょう！ （彼はテントに入る） 【ポール殿下】 女大公殿下？ 【女大公殿下】 （せっかちに） 今度は何？ 【ポール殿下】 あなたは私に答えていませんよ 【女大公殿下】 どんな答えを私にお望みなの　殿下！ まず最初に 国家の心配事が 私から時間を奪うのです 私の個人的な幸せのことを考えるよりも 私に時間が取れるようにならなければ あなたと結婚するための それまでは待たなければなりませんわ 【ポール殿下】 （絶望して） いつも最後はお断りだ！ （ブン大将、ピュック男爵とフリッツ大佐がテントから出てくる） 第12場 【女大公殿下】 さあ　精査しましょう ブン大将の戦闘計画を （ポール殿下に） 私は思うんですけど　殿下 私たちを助けて下さらないかしら　あなたのお知恵で 【ポール殿下】 （不機嫌な口調で） お望みのままに！ 【女大公殿下】 ああ！ひどい　怒っているのね！ 【ポール殿下】 （同じ口調で） そりゃそうですよ　こうやって あなたはいつも私を作戦会議に参加させる 【女大公殿下】 それって当然じゃないですか？ だって　あなたは私の夫にならなくちゃいけないのだから 持たなくちゃだめでしょ　その権限を？ 【ポール殿下】 そうですけど あなたは私に絶対拒否させてくれない 政治的な権限に関しては でも　他のことだと 【女大公殿下】 それは何？ 【ポール殿下】 (傍白) 致命的なはぐらかしだな！ 【女大公殿下】 お座りください　みなさん (ブンはテーブルの前に座り　ピュックは右の席に座る　フリッツへ) あなたもよ　大佐 （ブンは彼に出ていくよう合図する） あなたは私たちのことをしっかり見守っていてね 【フリッツ】 心配ご無用ですよ！ 【ブン】 （フリッツを見ながら） だが我輩には分からぬのです 我輩が計画を立てねばならぬのならば 【女大公殿下】 そのことについてはご心配なく 将軍　お話しなさい 【ブン】 これ以上簡単なことはございません お聞きください　女大公殿下 戦争の要諦は 要約できるのです　二つの単語に 切ると　包むと 【女大公殿下】 パンケーキみたいね　それで？ 【ブン】 その通りです　女大公殿下 そうやって切って そして包む さて　ここで何をすべきかですが 我輩は三つに軍を分割します 【ピュック】 すばらしい！ 【ブン】 うちひとつは右手から行きます 【ポール殿下】 すばらしい！ 【ブン】 もう一つは左手から行きます 【ピュック】 すばらしい！ 【ブン】 また　もうひとつは中央から 【ポール殿下】 すばらしい！ 【ブン】 わが軍をこのように配置し 三つの異なる経路を通じて 一点に向かって 我輩は集中しようと決意しました その一点がどこになるのか？ それは我輩には分かりませぬ だが我輩が知っているのは ただ　我輩が敵と戦うことになるということのみ！ 我輩は戦うのだ！ 【女大公殿下】 落ち着いてちょうだい 【ピュック】 （ブンに） 頼むから 【ブン】 （一層力をこめて） 我輩は言っておる　敵を倒すと！ 【女大公殿下】 私は言うつもりはありません　別のことを でも　あなたは自分を傷つけることになるのよ 【ブン】 これはわが祖国のためです！ （立ち上がってサーベルを抜く） 敵！敵はどこだ？ 我輩に敵を連れてこい！ （ピュックは彼をなだめて無理矢理座らせる） 【フリッツ】 （笑いながら） でも実行するつもりなんですか あなたの三分割作戦なんかを！ 【ピュック】 （フリッツに厳しい口調で） 黙れ　貴様！ 【フリッツ】 （なおも笑いながら） 三分割作戦！ そりゃあんまりですよ　そんなんじゃ！ 三分割作戦って！ 【ブン】 （激怒して） こやつ　何を言うか？ 【フリッツ】 そんなの全くバカみたいだ 三分割作戦なんて！ 【ポール殿下】 なんだと！ 【ブン】 貴様　撃ち殺してやるぞ！ 【ピュック】 何と言う口のきき方だ　将軍に！ 【女大公殿下】 少しお黙りなさい　あなたたち！ （フリッツに） それであなたは　大佐 馬鹿げてるというのね 三分割作戦は ブン大将の 【フリッツ】 （テーブルに近づいて） 間違いなく　そう言います！証明して見せましょう！ 【ピュック】 （女大公に） 私は謹んで 大公殿下に申し上げますが この男にはございません 発言する権利は 【ブン】 そうだ　権限がない！ 【ピュック】 上級幹部でなければなりません！ 【ポール殿下】 貴族でなければならぬのです！ 【ブン】 こいつにはその権利がない！ 【ピュック】 こやつにはその権限がありません 【女大公殿下】 おだまりなさい　あなたたち！ さもなければ　私の権限で 斬るわよ　その首を 黙ろうとしない者のを真っ先に！ あなたたちは言うのね 発言する権利を持つには 上級幹部である必要があるんでしょ だったら私は彼を将軍にします （ブンに） あなた方のように 彼は貴族でなければならないの？ ならそうしましょう ヴェルモート・フォン・ボック - ビア男爵よ アヴァル-ヴィント-カット-ショップ-フェギースマイン-ニヒト伯爵！ これで十分でしょ　あなたたち？ 彼は今　発言する権利を持ってますわよね？ 【ブン】 大公殿下 【ポール殿下】 （小声で　ピュックに） ああ　これだ！まったくもう ああ　これだ！まったくもう 【ピュック】 （小声で） お静かに！あとで話しましょう 【女大公殿下】 （フリッツに） 座って　将軍 そして言って　あなたが言おうとしてることを （ピュックは急いでフリッツに将軍の座席を指し示す） 【フリッツ】 敵に向かうのに 三手に分かれる代わりに 【女大公殿下】 （彼の軍服を見ながら） 見て　将軍 襟は少し高すぎるわね 六本線より少なくしなければいけないわ 首を自由にするには そうよ　あなたは (傍白) 神様！なんてカワイイの！ 【フリッツ】 ぼくは言ったんです　ぼくらはしなくちゃだめだって 敵へ一直線に ただひとつの道を そして　敵に出会ったらすぐに　レディ そしたら　同志たちとともに ぶちのめすんです　ぶちのめせる限り ぶちのめして一丁上がりです！ 【女大公殿下】 これは素晴らしいわ それじゃ　この作戦に あなたは従いなさい ブン大将 【ブン】 我輩は従いませんぞ！ 【女大公殿下】 どうして？ 【ブン】 我輩には責任があります　女大公殿下に対して 兵士たちの血を流さぬことが 我輩の作戦では 我輩は確信しておるのです　自らのこととして 戦闘の可能性がなくなると こいつの案には　我輩は何も答えられません 【女大公殿下】 だから拒否するの？ 【ブン】 我輩は拒否します この男爵の... 女大公殿下は何と仰いましたかな？ 【フリッツ】 ヴェルモート・フォン・ボック - ビア男爵 そしてアヴァル-ヴィント-カット- ショップ-フェギースマイン-ニヒト伯爵です！ （女大公に） この人が気にしているのは それはすべてお作法のことですよね 【ブン】 では男爵が その計画を実行すればよかろう　その気ならば！ 【フリッツ】 もちろんですとも！ 【女大公殿下】 本当ですか？ そして、あなたは戦いに勝つ？ 【フリッツ】 さもなくば他の人と同じように敗れるでしょう 【女大公殿下】 ヴェルモート・フォン・ボック - ビア男爵？ 【フリッツ】 女大公殿下？ 【女大公殿下】 天のご加護で あなたの軍が勝利しますように！ 今この瞬間から あなたは最高司令官よ 私の軍隊の！ 【フリッツ】 （ブンに） その羽根はぼくのものですね　閣下！ 【ブン】 この野郎め！ （ピュックは彼を宥め　羽根を取ってフリッツの帽子に挿す） 【フリッツ】 （ブンに） ホウ！哀れな兵士！ 【ブン】 くそっ！ 【ピュック】 （小声で） 辛抱しろ われら三人 復讐を果たさねばならぬ われらの復讐を果たそうぞ 【女大公殿下】 （フリッツを見ながら） ああ！これはいい！これはいいわ！ フリッツ将軍　私は望みます　今すぐに あなたが全軍を掌握することを 彼の指揮下に置きなさい 全軍を　ブン大将 【ブン】 我輩が！こやつの指揮下に！ 【ピュック】 (小声で　ブンに) 従うんだ 彼女の心は語っている 私が恐れていた通りのことを！ (ブンは急いで歯切れの悪い言葉で軍の命令を叫ぶ　兵士たちは右側から入場する　侍女たちもテントから出てくる　農民の女たちは奥からやってくる　左側から入ってきたヴァンダは農民の女性たちの横　フリッツの少し後ろに立つ　この動きの中　ポール殿下はブンとピュックに加わって右手に集まる） 第13場 【兵士たちのコーラス】 われらは行くのだ　戦に 太鼓を叩きつつ！ 今一度振り返って そして前進だ！ われらは行くのだ　戦に 太鼓を叩きつつ！ 【女大公殿下】 （兵士たちに） お聞きなさい　皆の者　そなたたちの支配者の声を （フリッツを指して） ここに新しい大将が！ 【コーラス】 彼が　われらの大将！ 【女大公殿下】 そうです　兵士たちよ　そして私は確信しています 彼はへまはしないだろうと 【ポール殿下　ブン　ピュック】 (傍白) 復讐のために手を組もう 賢くなろう！ 奴は一人だ　そしてわれらはとても幸運だ！ われらは三人だからな！ 【ヴァンダ】 （彼のそばに近づいて　フリッツに） あなたが　最高司令官なの！ 【フリッツ】 おや！ああ　分かるかい！ 【ヴァンダ】 ああ！あなたはあたしを忘れてしまうでしょう 【フリッツ】 かわいい人　恐れないで 【ヴァンダ】 あたしをずっと愛してくれる？ 【フリッツ】 ずっとさ！疑わないで 【ヴァンダ】 もう一回言って！ 【フリッツ】 何回でも　君が望むだけ！ 【女大公殿下】 （フリッツとヴァンダに　辛抱できず） あなたたち これ以上話してはだめです　ここで 分かってるでしょ 私が期待してることを　違う？ 【コーラス】 女大公は彼らに投げつけているぞ 怒りの眼差しを！ 【女大公殿下】 (傍白　自分を抑えて) だけど私は女大公よ 私の義務は自分の威信を保つこと 私には義務があるわ　何も見ないようにすることの （声を上げてネポミュックに） さあ　ムッシュー そして私に持ってきて　今こそ あなたがご存じなものを （ネポミュックは右手より出ていく　女大公はフリッツに自分の近くに来るように合図する） 【全員】 いったい何だろう？ （ネポミュックが入って来る　サーベルを敬意を込めて高く掲げながら） 【全員】 サーベルだ！ 【女大公殿下】 （フリッツに　サーベルを見せながら） これがサーベルです　わが父上の！ あなたはこれを佩びるのです　その脇に！ あなたの腕は強く　あなたの魂は誇り高い この剣がよく合うことでしょう！ 父が戦争に行ったときには 少なくとも　私に伝わっているところでは 私の母の厳粛な手から 父はこの恐るべき剣を受け取ったのだとか これがサーベルです　わが父上の！ あなたはこれを佩びるのです　その脇に！ 【コーラス】 あれがサーベルなのだ　殿下の父上の！ 彼はそれを佩びるのだ　その脇に！ 【女大公殿下】 (サーベルを取って) これがサーベルです　わが父上の！ あなたはこれを佩びるのです　その脇に！ 勝利の後で私は望みます 元気な姿でまたお会いできることを なぜなら　あなたが戦争で死んだら、 私は本気で思ってしまうのでしょうから　本当に 二度とこの世には存在しないと 至福のひとときが！ (元の調子で気高く) これがサーベルです　わが父上の！ あなたはこれを佩びるのです　その脇に！ （彼女はフリッツにサーベルを渡す） 【コーラス】 あれがサーベルなのだ　殿下の父上の！ 彼はそれを佩びるのだ　その脇に！ 【フリッツ】 あなたは恐れることはありません 任せてください　ぼくの腕に 尊敬すべきサーベルを あなたの父上の ぼくは戻って来ます　勝者として さもなくば決して戻りません！ 【女大公殿下】 あなたは戻って来るでしょう　勝利して！ 【ブン　ピュック　ポール殿下】 (傍白) 奴は戻ってこないよ！ 【ヴァンダ】 あなたは戻って来るでしょう　勝利して！ 【ブン　ピュック　ポール殿下】 奴は戻ってこないよ！ 【フリッツ】 ぼくは戻って来ます　勝利して 【ブン　ピュック　ポール殿下】 奴は戻ってこないよ！ 【コーラス】 彼は戻って来るだろう　勝利して！ 【ブン　ピュック　ポール殿下】 (傍白) 奴は戻ってこないよ！ 【コーラス】 （力強く） 戻って来るだろう！ 【ブン　ピュック　ポール殿下】 （より一層力強く） 戻ってこないよ！決して　決して　決して！ (フリッツはヴァンダにそのサーベルを渡す　ヴァンダはそれを感嘆の目で見つめる) 【フリッツ】 ぼくは　勝利者となるんだ 自分の才能で！ ぼくの大砲が ぼくの騎兵隊が 勝利はすぐだ 敵はあっさり 押し潰され　打ち破られ 壊れて　ばらばらになる 【ブン　ピュック　ポール殿下】 奴は負けるだろう、 奴はぶちのめされるだろう！ 奴の大砲が 奴の騎兵隊が みなそれを望んでいる もう見えている 押し潰され　打ち破られ 壊れて　ばらばらになるのが 【その他の人たち】 彼は勝利者となるだろう 彼自身の才能で！ 彼の大砲が 彼の騎兵隊が 勝利はすぐだ 敵はあっさり 押し潰され　打ち破られ 壊れて　ばらばらになる 【フリッツ】 行こう　音楽を頭に 前へ　トラララ まるでお祭りみたいに 歌おう　ラララ 【ブン　ピュック　ポール殿下】 奴らは行くぞ　音楽を頭に 前へ　トラララ まるでお祭りみたいに 歌いながら　ラララ 【その他の人たち】 行け　音楽を頭に 前へ　トラララ まるでお祭りみたいに 歌って　ラララ 【フリッツ】 攻めるぞ 【ブン　ピュック　ポール殿下】 奴を追い詰めるぞ 【その他の人たち】 攻めるぞ 【フリッツ】 敵は逃げ去るだろう 【コーラス】 逃げ去るだろう 【女大公殿下】 敵は逃げ去るでしょう 【フリッツ】 敵は逃げ去るだろう 【女大公殿下】 やっつけましょう 【フリッツ】 やっつけてやるぞ 【女大公殿下】 蹴散らしましょう 【フリッツ】 蹴散らしてやるぞ 【女大公殿下】 そして倒しましょう 【フリッツ】 そして倒してやるぞ 陽気にぼくたちは進む ぼくたちは突き進む ぼくたちは焼き尽くす　あらゆるものを 【ブン　ピュック　ポール殿下】 奴らは焼き尽くす　あらゆるものを 略奪するんだ　あちこちで 【その他の人たち】 ぼくたちは突き進む 略奪なさい　あちこちで 【フリッツ】 ぼくは　勝利者となるんだ 【ブン　ピュック　ポール殿下】 奴は負けるよ 【その他の人たち】 彼は勝利するでしょう 【フリッツ】 ぼくたちは焼き尽くす　あらゆるものを 略奪するぞ　あちこちで 【ブン　ピュック　ポール殿下】 奴らは焼き尽くす　あらゆるものを 略奪するんだ　あちこちで 【フリッツ】 ぼくは　勝利者となるんだ 【ブン　ピュック　ポール殿下】 奴は負けるよ 【その他の人たち】 彼は勝利するだろう 【女大公殿下】 彼は勝利するでしょう 【フリッツ】 ぼくは　勝利者となるんだ 自分の才能で！ ぼくの大砲が ぼくの騎兵隊が ぼくの歩兵隊が みなそれを望んでいる 勝利を 【ブン　ピュック　ポール殿下】 奴は負けるよ 奴はぶちのめされるよ 奴の大砲が 奴の騎兵隊が 奴の歩兵隊が みなそれを望んでいる 敗走を 【その他の人たち】 彼は勝利するだろう 彼自身の才能で！ 彼の大砲が 彼の騎兵隊が 彼の歩兵隊が みなそれを望んでいる 勝利を 【フリッツ】 馬に乗って　馬に乗って みなさん ぼくの大砲が ぼくの騎兵隊が 勝利するんです 【ブン　ピュック　ポール殿下】 行け　馬に乗って 奴の大砲が 奴の騎兵隊が 蹴散らされるぞ 【その他の人たち】 行け　馬に乗って 彼の大砲が 彼の騎兵隊が 勝利するだろう 【フリッツ】 馬に乗って　馬に乗って みなさん　馬に乗って ぼくの大砲が ぼくの騎兵隊が 勝利するんです 【ブン　ピュック　ポール殿下】 行け　馬に乗って 奴の大砲が 奴の騎兵隊が 蹴散らされるぞ 【その他の人たち】 行け　馬に乗って 彼の大砲が 彼の騎兵隊が 勝利するだろう 【コーラス】 馬に乗って　馬に乗って　馬に乗って 【フリッツ】 行くぞ　行くぞ　行くぞ　出発だ 前へ　前へ 歌いながら 【ブン　ピュック　ポール殿下】 そうとも　もちろん蹴散らされるぞ 奴らは蹴散らされるんだ 行け 【その他の人たち】 行け　行け　行け　出発だ 前へ　前へ 歌いながら （続くコーラスの間に軍勢は女大公の面前で行進を開始する　フリッツはそれを率いる） 【フリッツ　兵士たちのコーラス】 行くぞ　音楽を頭に！ 音楽を頭に　前進 そうだ　進め　進め まるでお祭りみたいに 歌いながら　進め　進め 歌いながら 【その他の人たち】 行け　音楽を頭に 音楽を頭に　前進 そうだ　進め　進め まるでお祭りみたいに 歌いながら　進め　進め 歌いながら 【女大公殿下】 あなたは忘れていますわ　私の父のサーベルを！ 【コーラス】 そなたは忘れているぞ　殿下の父上のサーベルを！ あれがサーベルだ　殿下の父上の！... （フリッツはサーベルを取りに駆け戻り　それを振りかざして軍隊の先頭に立つ　パレードはコーラスを繰り返しながら続く） Scène Neuvième LA GRANDE-DUCHESSEà Puck Ne vous éloignez pas, mon cher maître à Boum Vous non plus, général Tout à l'heure, nous examinerons Votre plan de campagne. BOUM Altesse, il est excellent. LA GRANDE-DUCHESSE Je veux le croire Allez, je vous ferai appeler. Boum et Puck entrent dans la tente Le prince Paul! ah! Maintenant il m'est plus Insupportable que jamais! Entre par à droite, le prince Paul. Il est en marié Scène Dixième LE PRINCE PAULd'un air piteux vers la Grande-duchesse Eh bien, altesse, Ce n'est donc pas Encore pour aujourd'hui? LA GRANDE-DUCHESSE Mais, prince Qu'est-ce que c'est que ce costume? LE PRINCE PAULsatisfait Ah! Vous l'avez remarqué C'est un costume de marié Je l'ai mis parce Que j'espérais vous décider. LA GRANDE-DUCHESSE À vous épouser aujourd'hui? Cela est impossible, mon cher prince Trop de choses à faire Un plan de campagne à examiner Mon armée qui part Songez donc! Je n'aurai jamais le temps de me marier! LE PRINCE PAUL Vous me donnez toujours des raisons. LA GRANDE-DUCHESSE Ne sont-elles pas excellentes? LE PRINCE PAUL Mais c'est que voilà six mois que vous Me donnez des raisons excellentes! Ce matin encore, le baron Grog, Ce messager d'amour, Que vous n'avez pas voulu Admettre en votre présence Il a reçu une lettre de Papa. LA GRANDE-DUCHESSE Et que dit votre Papa, dans cette lettre? LE PRINCE PAUL Il dit que tout ça finit par l'ennuyer Voilà six mois que j'ai quitté Sa cour afin de venir ici vous épouser. Il me fait une grosse pension, Pour que je puisse soutenir Mon rang de fiancé Je mange la pension Et je ne vous épouse. Pas ça l'ennuie, Cet homme il voudrait Savoir à quoi s'en tenir. LA GRANDE-DUCHESSE En vérité? LE PRINCE PAUL Dame! Oui parce que, Si je ne dois pas vous épouser, Papa prendrait un parti Et me dirigerait sur Une autre Grande-duchesse. LA GRANDE-DUCHESSE Rassurez l'Electeur votre père Ce mariage se fera un jour ou l'autre. LE PRINCE PAUL Vous me dites toujours ça Mon mariage a été annoncé A toutes les cours de l'univers Il a les yeux sur moi, l'univers Et il doit commencer à trouver Que je fais une drôle de figure. LA GRANDE-DUCHESSE Le fait est que si l'univers Vous voyait en ce moment! LE PRINCE PAUL Et puis, il y a encore quelque chose Qui m'est plus sensible que tout LA GRANDE-DUCHESSE Et quoi donc, mon dieu? LE PRINCE PAULtirant de sa poche un journal Voyez, altesse LA GRANDE-DUCHESSE Qu'est-ce que c'est que ça? LE PRINCE PAUL C'est une gazette imprimée en Hollande On parle de moi, là dedans. LA GRANDE-DUCHESSE Allons donc! LE PRINCE PAUL Mon dieu, oui On ose parler de moi Il a paru depuis quelque temps Une race d'hommes qui s'est donné Pour mission de parler de tout, D'écrire sur tout, Afin d'amuser le public On les appelle des gazetiers Ils osent entrer dans la vie privée, Ce qui est monstrueux, Et ce qui est plus monstrueux encore, C'est qu'ils osent Entrer dans ma vie privée, à moi! Écoutez un peu. Il lit la gazette de Hollande "Pour épouser une princesse, Le prince Paul s'en est allé; Mais il paraît que rien ne presse Le mariage est reculé! Tous les jours, quand paraît l'aurore, Le prince Paul met des gants blancs Est-ce aujourd'hui? non, pas encore Alors le prince ôte ses gants Le prince Paul a l'âme grande Il souffre, mais il se tient coi" avec éclat. Voilà ce que l'on dit de moi Dans la gazette de hollande! LA GRANDE-DUCHESSE Il faut toujours ajouter foi À la gazette de Hollande! LE PRINCE PAUL Mais ce n'est pas tout, altesse écoutez la suite. Lisant encore Le prince était tout feu, tout flamme, En arrivant à cette cour; Le prince était brûlant d'amour, En arrivant près de sa dame. Il a tant brûlé qu'on suppose, Après six mois de ce jeu-là, Qu'il ne doit pas rester grand-chose De tout ce feu dont il brûla Dans ta poche mets ta demande, Prince Paul, et rentre chez toi Voilà ce que l'on dit de moi Dans la gazette de Hollande! LA GRANDE-DUCHESSE Il faut toujours ajouter foi À la gazette de Hollande! la Grande-duchesse rit de plus belle LE PRINCE PAUL Méchante! Scène Onzième FRITZen capitaine Eh bien, voilà! LA GRANDE-DUCHESSE Ah! Il est encore mieux comme cela! au prince Paul Regardez, prince, Et dites-moi ce que vous en pensez. LE PRINCE PAUL C'est un beau gars. LA GRANDE-DUCHESSE N'est-ce pas qu'on est fière De commander à de pareils hommes? à Fritz Monsieur le capitaine? FRITZ Altesse? LA GRANDE-DUCHESSEmontrant la tente Entrez là, et dites au général Boum Et au baron Puck que nous les attendons. FRITZ Eh bien, je veux bien leur dire! Il entre dans la tente LE PRINCE PAUL Altesse? LA GRANDE-DUCHESSEavec impatience Quoi encore? LE PRINCE PAUL Vous ne m'avez pas répondu. LA GRANDE-DUCHESSE Que voulez-vous que je réponde, prince! La première fois que Les soucis du gouvernement Me laisseront une minute pour m'occuper de mon bonheur particulier, Je profiterai de cette minute Pour vous épouser Jusque-là, il faut attendre. LE PRINCE PAULavec désespoir Toujours des fins de non recevoir! Le général Boum, le baron Puck et le capitaine Fritz sortent de la tente Scène Douzième LA GRANDE-DUCHESSE Nous allons examiner Le plan de campagne du général Boum au prince Paul Je pense, prince, que vous voudrez bien Nous aider de vos lumières. LE PRINCE PAULd'un ton boudeur Comme il vous plaira! LA GRANDE-DUCHESSE Oh! Le vilain, qui est fâché! LE PRINCE PAULdu même ton C'est vrai, ça Vous me faites toujours assister au conseil. LA GRANDE-DUCHESSE N'est-ce pas tout naturel? Et, puisque vous devez être mon mari, Ne devez-vous pas avoir les privilèges? LE PRINCE PAUL C'est vrai Vous ne me refusez aucun Des privilèges de la politique Mais il y en a d'autres. LA GRANDE-DUCHESSE Qu'est-ce que c'est? LE PRINCE PAULà part Fatale timidité! LA GRANDE-DUCHESSE Asseyez-vous, messieurs. Boum s'assied devant la table, et Puck sur le siège de droite. À Fritz Vous, capitaine Boum lui fait signe de se retirer Vous veillerez sur notre personne. FRITZ N'ayez pas peur! BOUMregardant Fritz Mais je ne sais, alors, Si je dois développer mes plans. LA GRANDE-DUCHESSE Ne vous inquiétez pas de cela, Général et parlez. BOUM Rien de plus simple Voyez-vous, altesse, L'art de la guerre peut Se résumer en deux mots Couper et envelopper. LA GRANDE-DUCHESSE Comme la galette, alors? BOUM Absolument, altesse Donc, pour arriver à couper Et à envelopper, Voici ce que je fais Je partage mon armée en trois corps. PUCK Très bien! BOUM Il y en aura un qui ira à droite. LE PRINCE PAUL Très bien! BOUM Un autre qui ira à gauche. PUCK Très bien! BOUM Et un autre qui ira au milieu. LE PRINCE PAUL Très bien! BOUM Mon armée ainsi disposée Se rendra par trois chemins différents Vers le point unique Où j'ai résolu de me concentrer Où est-il, ce point unique? Je n'en sais rien Mais ce que je sais bien, C'est que je battrai l'ennemi! Je le battrai! LA GRANDE-DUCHESSE Contenez-vous. PUCKà Boum Je vous en prie. BOUMavec plus de force Je vous dis que je le battrai! LA GRANDE-DUCHESSE Je ne vous dis pas le contraire Mais vous allez vous faire du mal. BOUM C'est pour mon pays! se levant et tirant son sabre L'ennemi! où est l'ennemi? Qu'on me conduise à l'ennemi! Puck le calme et l'oblige à se rasseoir FRITZricanant Mais vous irez tout à l'heure Par vos trois chemins! PUCKà Fritz avec sévérité Taisez-vous, monsieur! FRITZricanant toujours Ses trois chemins! Elle est trop forte, celle-là! Ses trois chemins! BOUMfurieux Qu'est-ce qu'il dit? FRITZ C'est bête comme tout, Vos trois chemins! LE PRINCE PAUL Par exemple! BOUM Je vous ferai fusiller, moi! PUCK Parler ainsi au général! LA GRANDE-DUCHESSE Un peu de silence, messieurs! à Fritz Vous dites donc, monsieur le capitaine Qu'il n'y a rien de bête Comme les trois chemins Du général Boum. FRITZse rapprochant de la table Sans doute, je le dis! et je le prouve! PUCKà la Grande-duchesse Je ferai respectueusement Observer à votre altesse Que cet homme n'a pas Le droit de prendre la parole. BOUM Non, il n'a pas le droit! PUCK Il faut être officier supérieur! LE PRINCE PAUL Il faut être noble! BOUM Il n'a pas le droit! PUCK Il n'a pas le droit. LA GRANDE-DUCHESSE Silence, messieurs! Ou, par ma vertu, Je ferai tomber la tête Du premier qui ne se taira pas! Vous dites donc que, Pour avoir le droit de parler, Il faut qu'il soit officier supérieur Je le fais général à Boum comme vous Il faut qu'il soit noble? Je le fais baron de Vermout-von-Bock-Bier, Comte d'Avall-Vintt-Katt-Schopp-Vergismein-Nicht! Cela suffit-il, messieurs? A t-il le droit de parler, maintenant? BOUM Altesse. LE PRINCE PAULbas, à Puck Ah çà! Mais, dites donc. Ah çà! Mais, dites donc. PUCKbas Silence! nous causerons. LA GRANDE-DUCHESSEà Fritz Asseyez-vous, général Et dites ce que vous avez à dire. Puck s'empresse d'indiquer à Fritz le siège qu'occupait le général FRITZ Au lieu d'aller à l'ennemi Par trois chemins. LA GRANDE-DUCHESSEregardant son habit Voyez-vous, général, Le collet est un peu trop élevé Il faudrait six bonnes lignes de moins Pour dégager le cou Continuez, mon ami. à part Dieu! Qu'il est bien! FRITZ Je disais donc qu'il faut aller Tout droit à l'ennemi, Par un seul chemin. On le rencontre et puis, dame, Là, avec les camarades, On cogne tant qu'on peut cogner On cogne, et voilà! LA GRANDE-DUCHESSE C'est très bien Et voilà le plan Que vous devrez suivre, Général Boum. BOUM Je ne le suivrai pas! LA GRANDE-DUCHESSE Comment? BOUM Je suis responsable envers votre altesse Du sang de ses soldats Avec mon plan, J'étais sûr de mon affaire Il n'y avait pas de bataille possible Avec le sien, je ne réponds de rien. LA GRANDE-DUCHESSE Ainsi, vous refusez? BOUM Je refuse Que monsieur le baron de… Comment a dit votre altesse? FRITZ Baron de Vermout-von-Bock-Bier, Et comte d'Avall-Vintt-Katt- Schopp-Vergismein-Nicht! a la Grande-duchesse Il a bien entendu, C'est des manières, tout ça. BOUM Que monsieur le baron Exécute son plan, s'il le veut! FRITZ Mais certainement! LA GRANDE-DUCHESSE Vraiment? Et vous gagneriez la bataille? FRITZ Où je la perdrais tout comme un autre. LA GRANDE-DUCHESSE Baron de Vermout-von-Bock-Bier? FRITZ Altesse? LA GRANDE-DUCHESSE Que le ciel favorise Le succès de vos armes! A partir de ce moment, Vous êtes le général en chef De mes armées! FRITZà Boum À moi le panache, monsieur! BOUM Mille millions! Puck le calme, lui enlève le panache et le met au chapeau de Fritz FRITZà Boum Hou! Le mauvais soldat! BOUM Oh! PUCKbas Contenez-vous Nous sommes trois Qui avons à nous venger Et nous nous vengerons. LA GRANDE-DUCHESSEregardant Fritz Ah! Qu'il est bien! qu'il est bien! Général Fritz, je veux à l'instant Vous faire reconnaître par l'armée Faites mettre sous les armes L'armée entière, général Boum. BOUM Moi! sous les ordres! PUCKbas, à Boum Obéissez. Son cœur a parlé Voilà ce que je craignais! Boum hurle un commandement militaire, avec des mots précipités et inarticulés. Les soldats rentrent par à droite. Les demoiselles d'honneur sortent de la tente. Les paysannes arrivent du fond. Wanda, qui est entrée par la gauche, se place de ce coté devant les paysannes, un peu en arrière de Fritz. Pendant ce mouvement, le prince Paul est allé rejoindre Boum et Puck à l'extrême droite Scène Treizième CHŒUR DES SOLDATS Nous allons partir pour la guerre, Tambour battant! Encore un regard en arrière, Puis en avant! Nous allons partir pour la guerre, Tambour battant! LA GRANDE-DUCHESSEaux soldats Écoutez tous la voix de votre souveraine montrant Fritz Voici le nouveau général! CHŒUR Lui, notre général! LA GRANDE-DUCHESSE Oui, soldats, et je suis certaine Qu'il ne s'en tirera pas mal. LE PRINCE PAUL, BOUM, PUCKà part Unissons nous pour la vengeance Soyons adroits! Il est seul et nous, quelle chance! Nous sommes trois! WANDAà Fritz, en descendant près de lui Toi, général en chef! FRITZ Eh! Mon dieu, tu vois bien! WANDA Ah! Tu vas m'oublier. FRITZ Mignonne, ne crains rien. WANDA Tu m'aimeras toujours? FRITZ Toujours! n'en doute pas. WANDA Dis encore une fois! FRITZ Autant que tu voudras! LA GRANDE-DUCHESSEà Fritz et Wanda, avec impatience Quand vous aurez Fini de vous parler, là-bas, Vous vous rappellerez Que j'attends, n'est-ce pas? CHŒUR Elle jette sur eux Des regards furieux! LA GRANDE-DUCHESSEà part, se contenant Mais je suis reine, Et mon devoir, pour garder mon prestige, M'oblige à ne rien laisser voir. haut, à Népomuc Allez, monsieur, Et me donnez a l'instant Ce que vous savez. Népomuc sort par la droite. La Grande-duchesse fait signe à Fritz de venir près d'elle TOUS Qu'est-ce que ça peut être? Népomuc entre, apportant un sabre qu'il porte haut et avec respect TOUS Un sabre! LA GRANDE-DUCHESSEà Fritz, montrant le sabre Voici le sabre de mon père! Tu vas le mettre à ton côté! Ton bras est fort, ton âme est fière, Ce glaive sera bien porté! Quand papa s'en allait en guerre, Du moins on me l'a raconté, Des mains de mon auguste mère Il prenait ce fer redouté Voici le sabre de mon père! Tu vas le mettre à son côté! CHŒUR Voici le sabre de son père! Il va le mettre à ton côté! LA GRANDE-DUCHESSEprenant le sabre Voici le sabre de mon père! Tu vas le mettre à ton côté! Après la victoire, j'espère, Te revoir en bonne santé; Car, si tu mourais à la guerre, J'aurais trop peur, en vérité, De n'avoir plus jamais sur terre Un moment de félicité! se remettant et avec noblesse Voici le sabre de mon père! Tu vas le mettre à son côté! Elle donne le sabre à Fritz CHŒUR Voici le sabre de son père! Il va le mettre à ton côté! FRITZ Vous pouvez sans terreur Confier à mon bras Le sabre vénéré De monsieur votre père Je reviendrai vainqueur, ou ne reviendrai pas! LA GRANDE-DUCHESSE Tu reviendras vainqueur! BOUM, PUCK, LE PRINCE PAULà part Il ne reviendra pas! WANDA Tu reviendras vainqueur! BOUM, PUCK, LE PRINCE PAUL Il ne reviendra pas! FRITZ Je reviendrai vainqueur, BOUM, PUCK, LE PRINCE PAUL Il ne reviendra pas! CHŒUR Il reviendra vainqueur! BOUM, PUCK ET LE PRINCE PAULà part Il ne reviendra pas! CHŒURavec énergie Reviendra! BOUM, PUCK, LE PRINCE PAULavec encore plus d'énergie Reviendra pas! Non! Non! Non! Fritz donne le sabre à Wanda, qui le contemple avec admiration FRITZ Je serai vainqueur, Grâce à ma valeur! Mon artillerie, Ma cavalerie, Triomphant déjà L'ennemi sera, Ecrasé, brossé, Brisé, dispersé BOUM, PUCK, LE PRINCE PAUL Il sera vaincu, Il sera battu! Son artillerie, Sa cavalerie, Tout cela sera, Je le vois déjà, Ecrasé, brossé, Brisé, dispersé LES AUTRES Il sera vainqueur, Grâce à sa valeur! Son artillerie, Sa cavalerie, Triomphant déjà L'ennemi sera, Ecrasé, brossé, Brisé, dispersé FRITZ Partons musique en tête En avant, tra la la Comme pour une fête En chantant la la la. BOUM, PUCK, LE PRINCE PAUL Ils vont musique en tête En avant, tra la la Comme pour une fête En chantant la la la. LES AUTRES Partez musique en tête En avant, tra la la Comme pour une fête En chantant la la la. FRITZ On envahira, BOUM, PUCK, LE PRINCE PAUL On le poursuivra, LES AUTRES On envahira, FRITZ L'ennemi fuira; CHŒUR il fuira; LA GRANDE-DUCHESSE L'ennemi fuira; FRITZ L'ennemi fuira; LA GRANDE-DUCHESSE On le traquera, FRITZ On le traquera, LA GRANDE-DUCHESSE Le dispersera FRITZ Le dispersera LA GRANDE-DUCHESSE Et l'enfoncera! FRITZ Et l'enfoncera! Gaîment nous irons, Nous élancerons; Nous brûlerons tout, BOUM, PUCK, LE PRINCE PAUL Ils brûleront tout, Pilleront partout LES AUTRES Nous élancerons Pillerons partout FRITZ Je serai vainqueur, BOUM, PUCK, LE PRINCE PAUL Il sera vaincu, LES AUTRES Il sera vainqueur, FRITZ Nous brûlerons tout, Pillerons partout. BOUM, PUCK, LE PRINCE PAUL Ils brûleront tout, Pilleront partout FRITZ Je serai vainqueur, BOUM, PUCK, LE PRINCE PAUL Il sera vaincu, LES AUTRES Il sera vainqueur, LA GRANDE-DUCHESSE Il sera vainqueur, FRITZ Je serai vainqueur, Grâce à ma valeur! Mon artillerie, Ma cavalerie, Mon infanterie, Tout cela sera, Triomphant BOUM, PUCK, LE PRINCE PAUL Il sera vaincu, Il sera battu! Son artillerie, Sa cavalerie, Son infanterie, Tout cela sera, dispersé LES AUTRES Il sera vainqueur, Grâce à sa valeur! Son artillerie, Sa cavalerie, Son infanterie, Tout cela sera, Triomphant FRITZ À cheval, à cheval messieurs Mon artillerie, Ma cavalerie, sera Triomphant BOUM, PUCK, LE PRINCE PAUL Alons à cheval Son artillerie Sa cavalerie sera dispersé LES AUTRES Alons à cheval Son artillerie Sa cavalerie sera Triomphant FRITZ À cheval, à cheval messieurs à cheval Mon artillerie Ma cavalerie sera Triomphant BOUM, PUCK, LE PRINCE PAUL Alons à cheval Son artillerie Sa cavalerie sera dispersé LES AUTRES Alons à cheval Son artillerie Sa cavalerie sera Triomphant CHŒUR À cheval, à cheval, à cheval FRITZ Allons, allons, allons, partons en avant, en avant en chantant BOUM, PUCK, LE PRINCE PAUL Oui sera bien súr dispersé Ils se ront dispersé En avant! LES AUTRES Allez, allez, allez, partez en avant, en avant en chantant Pendant le chœur suivant, l'armée se met en marche vient défiler devant la Grande-duchesse. Fritz est en tête FRITZ, CHŒUR DES SOLDATS Partons, musique en tête! Musique en tête, en avant! Oui partez partez comme pour une fête en chantant partez partez en chantant LES AUTRES Partez, musique en tête! Musique en tête, en avant! Oui partez partez comme pour une fête en chantant partez partez en chantant LA GRANDE-DUCHESSE Vous oubliez le sabre de mon père! CHŒUR Vous oubliez le sabre de son père! Voici le sabre de son père!… Fritz accourt reprendre le sabre et, le brandissant, se remet en tête de son armée. Le défilé continue sur la reprise du chœur この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@ 藤井宏行 Offenbach,Jacques/La Grande-Duchesse de Gérolstein/II

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